“I wasn’t interested in writing the definitive book on A Tribe Called Quest. I was trying to write the definitive book on a single arc of fandom.”
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Posted inBooks, Profiles & Interviews, Story
Falling in Love with Chicago at Night: An Interview with Jessica Hopper
In “Night Moves,” Jessica Hopper is 80% on her bike and 20% at a show, memorializing a young adulthood spent in just one of “a million Chicagos” — but one that shaped a wide network of artists and writers.
Posted inBooks, Current Events, Essays & Criticism, Fiction, Story
Will Amazon Finally Kill New York?
A New Yorker reads “Seasonal Associate” in the age of HQ2.
Posted inBooks, Nonfiction, Quotes
The Mosul University Library: Reborn From the Ashes
The Mosul University Library, once home to centuries-old books and documents, is rebuilding after ISIS destroyed it.
Posted inReading List
Remembrance of Folks Past: A Reading List of the Stories We Tell
“Who lives? Who dies? Who tells your story?”
Posted inArts & Culture, Nonfiction, Quotes
Prog Rock: The Musical Genre That Won’t Die
The “progressive” form of 1970s rock and roll still has as many devoted fans as it does diehard enemies. Why?
Posted inBooks, Essays & Criticism, Story
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Posted inArts & Culture, History, Science & Nature, Story
The Ugly History of Beautiful Things: Angora
Angora rabbit fur is fluffy, and silky, and was especially popular with two influential 20th-century groups: Hollywood starlets and Nazi officers.
Posted inNonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Katherina Grace Thomas, James Lasdun, Kyle Chayka, Tay Wiles, and Buzz Bissinger.
Posted inProfiles & Interviews
Putting Together the Pieces of Her Grandmother’s Mysterious Death
For her essay in the New Yorker, Kate Daloz relied on a precious set of letters to tell the story of her grandmother’s abortion.
