In “Night Moves,” Jessica Hopper is 80% on her bike and 20% at a show, memorializing a young adulthood spent in just one of “a million Chicagos” — but one that shaped a wide network of artists and writers.
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American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Where Have All the Music Magazines Gone?
Inside music journalism post-2008 recession, and how media consumption in the 21st century offers a road map for the continuation of the once-robust medium.
Snapshot of Canada: An Accidental Reading List
An incomplete portrait of a nation emerges from a stash of old print magazines.
Time To Kill the Rabbit?
In two new novels, the bunnies are anything but cute. (Unless … you use magic to turn one of them into a pre-TB Keats, or a talky Tim Riggins.)
A Fresh Look at The Smashing Pumpkins’ 1998 Album Adore
Loved and loathed in equal measure, one thing critics can’t take from this influential 90s band is their willingness to evolve musically.
Reimagining Harper Lee’s Lost True Crime Novel: An Interview with Casey Cep
“Somewhere along the way it became very clear to me that I was writing the book she never would.”
This Month In Books: ‘Look at the World, and Not at the Mirror.’
This month’s books newsletter is about seeing the big picture.
On Solitude (and Isolation and Loneliness [and Brackets])
Sarah Fay reflects on four years spent in solitude (and isolation [and loneliness]), viewing it through the lens of punctuation.
How the Guardian Went Digital
Remaking itself from a little leftie newspaper to a powerhouse of internet journalism required experimentation, transparency, and embracing uncertainty.
