Reports say there is going to be another travel ban soon, perhaps even today. And so, standing on the precipice of our next great catastrophe, I have decided to take stock, as far as I can, of this thing we have wrought, which I can only describe as the new American carnage. Moreover (sorry about this) I would like to put forth my own obnoxious “all else is a distraction” theory:
In my opinion, this is the greatest story of the moment, and all else is a distraction. Think-piece-ologists have recently argued that the “real story” is the dismantling of our administrative state, or the lock-out of the free press from the halls of power, or the Russian oligarchy’s new influence on the Republican party, or so on. But, when the people of the future look back at us now, it seems to me that they will “little note, nor long remember” the exact form of our bureaucracy, or whether we took seriously our own promises to ourselves about freedom of the press, or whether Michael Flynn was actually colluding with the Russian ambassador rather than just wishing him a very very merry Christmas. These things will all be seen as incidental: goings-on as curious and inconsequential as Rudolf Hess in a biplane or Marat in a bathtub. I submit that, for the people of the future, all these stories will be incidental to the story of why we allowed our neighbors to be terrorized and rounded up.
So, I am making a small attempt to bear witness.
I am asking six questions.
Who has been detained?
Who has been denied entry?
Who has been rounded up?
Who has been deported?
Who has fled as a refugee from my country?
Who has been killed here? Read more…
UPDATE: There are firings, and then there are firings, and former FBI Director James Comey was informed of his by Donald Trump’s favorite messenger: television. Comey saw the news flash on screen as he as giving a speech to FBI employees in Los Angeles, and he thought it was a prank, at first. But a letter was hand-delivered by Trump’s personal bodyguard to FBI headquarters informing Comey that he was indeed out. It was a classic Trump firing, and also a deeply disconcerting one, as a third offense should be added to our list: investigating Russian connections to Donald Trump.
At the one-month mark, we now have a working theory of what makes an employee fireable (or not even hireable) in the Trump administration. There are two main types.
Fireable Offense Type #1: Be Drop Dead Scandalous
1. In December, Jason Miller, who was tapped to be the White House communications director, quit after another transition official, A.J. Delgado, tweeted her jilted love at him. Miller and his wife were expecting a new baby, so, via Twitter, “Delgado congratulated ‘the baby-daddy’ on his promotion,” ominously adding: “The 2016 version of John Edwards.”
“When people need to resign graciously and refuse to, it’s a bit … spooky,” Delgado then wrote. When an old law school friend asked on Twitter to whom she was referring, Delgado replied: “Jason Miller. Who needed to resign … yesterday.”
Delgado then deleted her Twitter account and, after Politico reported on the rumored affair, privately disclosed the details of the relationship to the transition team.
If you reach back into the deep part of yourself where you catalog other people’s misbehavior, you may even recall that Page Six reported back in October that, the night before the last presidential debate, Delgado and Miller, along with several journalists, were spotted together at the world’s largest strip club. Read more…
Rex Tillerson, the former CEO of ExxonMobil and recipient of Russia’s Order of Friendship, has become our new Secretary of State. I took a deep dive into the archives, and, like all the amateur Kremlinologists and power-hungry oilmen who’ve tread this ground before me, I’ve learned that the deeper you drill, the bigger the risk. Stop somewhere around point #10 if you start to feel like you’re on shaky ground, or like you’re one nesting matryoshka doll short of a shell company.Read more…
Below is an excerpt from Witness to the Revolution, an oral history of the political and cultural movements of the 1960s and early ’70s. In this excerpt, witnesses recall the month when everything seemed to fall apart. This story is recommended by Longreads contributing editor Dana Snitzky.
* * *
You can jail the revolutionaries, but you can’t jail the revolution.
—FRED HAMPTON, SPEECH, 1969
December 1969 was plagued by violence and despair. As bloodshed in Vietnam escalated, so did violence at home. The ranks of Americans who considered themselves “revolutionaries” swelled to as many as a million, and militant resistance threatened nearly all government institutions related to the war effort. Nonviolent civil disobedience of just months earlier, with the October and November Moratoriums, had evolved into violent clashes with police, rioting, arson, and bombings. In the fifteen-month period between January 1969 and April 1970, an average of fifty politically motivated bombings occurred each day.
At the vanguard of this domestic rebellion was the Black Panther Party, which, in reaction to police brutality and FBI harassment, publicly declared war against the police. Two dozen Black Panther chapters had opened across the country, and in 1969 the police killed 27 Panthers and arrested or jailed 749. J. Edgar Hoover announced that the Black Panther Party was “the greatest threat to [the] internal security of the country,” and he assigned two thousand full-time FBI agents to “expose, disrupt, misdirect, discredit, and otherwise neutralize” the Panthers and other New Left organizations. In a 1969 speech to Congress, Hoover declared that the New Left was a “firmly established subversive force dedicated to the complete destruction of our traditional democratic values and the principles of free government.”
Meanwhile, the Vietnam War raged on. From 1961 until 1971, the U.S. military dropped more than 19 million gallons of toxic chemicals— defoliants or herbicides, including Agent Orange—on 4.8 million Vietnamese. In 1969, 11,780 American troops were killed, bringing the death toll to 48,736. It was not a festive Christmas for those in the peace movement. John Lennon and Yoko Ono displayed huge billboards in Los Angeles, London, and other cities that read: “War is over! If you want it. Happy Christmas from John & Yoko.” On New York City’s Fifth Avenue during the holiday shopping rush, a woman blocked the street with a sign that read, “How Many Shopping Days Until Peace?” Read more…
The excerpt below is adapted from Claire Harman’s biography of Charlotte Brontë. It tells the story of how the Brontës burst onto the literary scene using male pseudonyms. The sisters slowly came out to a select few, beginning with their father. But Charlotte retained her male identity even in correspondence with her publishers and fellow authors, until tragedy compelled her to reveal the truth. This story comes recommended by Longreads contributing editor Dana Snitzky.
* * *
When the servant came in with the coals, he found Mr. Thackeray weeping over Currer Bell’s love scenes.
Six sets of Jane Eyre arrived at the Parsonage on publication day, 19 October 1847, presumably much to the interest of the postmaster, Mr. Harftley. Reviews began flooding in immediately, from the daily papers, religious journals, provincial gazettes, trade magazines, as well as from the expected literary organs such as the Athenaeum, Critic and Literary Gazette. Charlotte had been anxious about the critical reception of “a mere domestic novel,” hoping it would at least sell enough copies to justify her publisher’s investment—in the event, it triumphed on both fronts. The response was powerful and immediate. Reviewers praised the unusual force of the writing: “One of the freshest and most genuine books which we have read for a long time,” “far beyond the average,” “very clever and striking,” with images “like the Cartoons of Raphael . . . true, bold, well-defined.” “This is not merely a work of great promise,” the Atlas said, “it is one of absolute performance”; while the influential critic George Henry Lewes seemed spellbound by the book’s “psychological intuition”: “It reads like a page out of one’s own life.” It sold in thousands and was reprinted within ten weeks; eventually, even Queen Victoria was arrested by “that intensely interesting novel.” Only four days after publication, William Makepeace Thackeray, whose masterpiece Vanity Fair was unfolding before the public in serial form at exactly the same time, wrote to thank Williams for his complimentary copy of Jane Eyre. He had “lost (or won if you like) a whole day in reading it”; in fact it had engrossed him so much that his own printers were kept waiting for the next instalment of Becky Sharp’s adventures, and when the servant came in with the coals, he found Mr. Thackeray weeping over Currer Bell’s love scenes.
Who was Currer Bell? A man, obviously. This forthright tale of attempted bigamy and an unmarried woman’s passion could have been written only by a man, thought Albany Fonblanque, the reviewer in John Forster’s influential Examiner, who praised the book’s thought and morals as “true, sound, and original” and believed that “Whatever faults may be urged against the book, no one can assert that it is weak or vapid. It is anything but a fashionable novel . . . as an analysis of a single mind . . . it may claim comparison with any work of the same species.”
Charlotte could hardly keep up with responding to the cuttings that her publisher was sending on by every post, and even received a letter from George Henry Lewes while he was writing his review for Fraser’s Magazine, wanting to engage in a detailed analysis of the book. “There are moments when I can hardly credit that anything I have done should be found worthy to give even transitory pleasure to such men as Mr. Thackeray, Sir John Herschel, Mr. Fonblanque, Leigh Hunt and Mr. Lewes,” Currer Bell told his publisher; “that my humble efforts should have had such a result is a noble reward.” It must have been difficult for Emily and Anne to be wholly delighted for their sister, with their own books apparently forgotten, though when Newby saw the success of Currer Bell he suddenly moved back into action with the production of Wuthering Heightsand Agnes Grey, hoping to cash in on the excitement. Read more…
The excerpt below is adapted from The Perfect Horse, by Elizabeth Letts. The book describes an American colonel’s quixotic mission in the waning days of World War II: to rescue Europe’s purebred horses from a secret Nazi stud farm mere hours before the starving Soviet army arrived and likely slaughtered the animals for food. In this excerpt, Letts explains the origins of the Nazis’ secret horse breeding project. This story is recommended by Longreads contributing editor Dana Snitzky.
* * *
Like Hitler himself, the horses, once quintessentially Austrian, would be given a distinctly German stamp.
A herd of mares left Austria in October 1942. The herd made the 350-mile trip northwest from Piber to Hostau, Czechoslovakia, without incident, and were settled into the Third Reich’s most sheltered stud farm, located in Bohemia, just a few miles from the Bavarian border. Beyond the farm’s serene green pastures, golden valleys stretched toward distant mountains crested by dark waves of evergreens. The Böhmerwald, or Bohemian Forest, served as more than a beautiful backdrop for the farm; it formed a natural barrier between Germany to the west and Austria to the south and had withstood invasion and attack for centuries. During the Nazi era, this locale was known as “the Bohemian bastion.” Among Germans, it was thought to be the safest place to ride out the war, least likely to be invaded from east or west. It was here that Gustav Rau had secreted the Lipizzaner, as well as the finest Arabians from Janów, including Witez. Even in the middle of a war, here, all was deceptively tranquil.
Quiet villages dotted this part of Bohemia, each graced by a Catholic church with an onion-domed spire. Flanking each cluster of tidy whitewashed houses were well-kept farms growing crops that thrived in the region’s rich agricultural soil. But in the wake of Hitler’s annexation of the area following the Munich Agreement of 1938, its bucolic appearance was deceiving. Once a multicultural region where Czechs, Germans, and Jews lived side by side in peace, Bohemia, now called the Sudetenland, had turned into a firm cornerstone of Hitler’s Third Reich. When the Nazis annexed the area in September 1939, the local German-speaking population had lined the streets cheering to welcome Hitler’s forces. Local Czechs and Jews had either fled or been forcibly evicted. Those who remained had been transported to concentration camps. By 1942, when the first Lipizzaner arrived in Hostau, the local Nazi apparatus held a firm grip on the region, but Czech partisans also operated in the area, finding refuge in the hideaways offered by the Bohemian Forest. Though the border with Bavaria, Germany, was less than fifteen miles to the west, the mountainous barrier made it seem much more remote.
The stud farm at Hostau, located next to the village of the same name, had been known for breeding cavalry horses long before Hitler’s time. The most prominent local landowners, the Trauttsmansdorff family, had historically served as imperial equerries for the Habsburg Crown. In addition to the main complex of stables adjacent to the village, there were pastures in three neighboring villages—the entire establishment covered fifteen hundred acres and could accommodate more than a thousand stallions, mares, and foals. All in all, it was more than twice as big as Alfred Vanderbilt’s showplace, Sagamore Farms, which Rau had visited in 1938.
Rau had selected this expansive facility to put into motion the most exalted part of his grand plan. Throughout 1942, he had systematically transported all of the purebred Lipizzaner from the stud farms of Italy, Austria, and Yugoslavia to this sheltered location for safekeeping. He had also sent a personal emissary on a mission to purchase purebred Lipizzaner from wealthy noblemen who raised smaller strings of purebreds for private use. By the end of 1942, Rau had gathered almost every Lipizzaner in the world into a single location.
Austrian-born Hitler’s goal, expressed in Mein Kampf, was to bring all of the German-speaking peoples of Central Europe, including Austria, into the fold of the Third Reich. Just as Hitler aimed to eliminate “impure strains” and combine the different Germanic groups into a single “Aryan race” of people, so Rau planned to use the science of selective breeding to erase the individual differences characterizing the several strains of purebred Lipizzaner that had emerged since the end of World War I and replace them with a single mold: pure white, imperial, identical, and ideally suited for military use. Like Hitler himself, the horses, once quintessentially Austrian, would be given a distinctly German stamp. Read more…
Below is an excerpt from Extinction: A Radical History, by Ashley Dawson, who argues that contemporary mass extinction is a result of the excesses of the capitalist system. In this chapter, Dawson gives a brief history of the ecocidal societies that came before ours. This story is recommended by Longreads contributing editor Dana Snitzky.
* * *
“Gilgamesh listened to the word of his companion, he took the axe in his hand, he drew the sword from his belt, and he struck Humbaba with a thrust of the sword to the neck, and Enkidu his comrade struck the second blow. At the third blow Humbaba fell. Then there followed a confusion for this was the guardian of the forest whom they had felled to the ground. For as far as two leagues the cedars shivered when Enkidu felled the watcher of the forest, he at whose voice Hermon and Lebanon used to tremble. Now the mountains were moved and all the hills, for the guardian of the forest was killed.”
—The Epic of Gilgamesh (2500–1500 BCE)
When did the sixth extinction begin, and who is responsible for it? One way to tackle these questions is to consider the increasingly influential notion of the Anthropocene. The term, first put into broad use by the atmospheric chemist Paul J. Crutzen in 2000, refers to the transformative impact of humanity on the Earth’s atmosphere, an impact so decisive as to mark a new geological epoch. The idea of an Anthropocene Age in which humanity has fundamentally shaped the planet’s environment, making nonsense of traditional ideas about a neat divide between human beings and nature, has crossed over from the relatively rarified world of chemists and geologists to influence humanities scholars such as Dipesh Chakrabarty, who proposes it as a new lens through which to view history. Despite its increasing currency, there is considerable debate about the inaugural moment of the Anthropocene. Crutzen dates it to the late eighteenth century, when the industrial revolution kicked off large-scale emission of carbon dioxide into the atmosphere. This dating has become widely accepted despite the fact that it refers to an effect rather than a cause, and thereby obscures key questions of violence and inequality in humanity’s relation to nature. Read more…
If there had been any necessity to point out that women were a second-class sex, the laughter would have proved it.
On February 8, 1964, an eighty-year-old segregationist congressman named Howard Smith stepped onto the floor of the House of Representatives and changed the lives of America’s working women forever.
It was the eighth and last day of debate on a bill that would become the landmark 1964 Civil Rights Act, and Smith had a proposed amendment to Title VII, the section dealing with equal employment opportunity. The current draft already prohibited discrimination because of race, color, religion, and national origin, but Smith, a Democrat from Virginia, wanted to add one more category. The clerk read Smith’s proposal aloud. “After the word ‘religion’ insert ‘sex’ on pages 68, 69, 70 and 71 of the bill.”
Smith played his “little amendment” for laughs, claiming to have been inspired by a letter he had received from a female constituent. She asked the government to “protect our spinster friends,” who were suffering from a shortage of eligible bachelors. Over guffaws from his virtually all-male audience, Smith concluded, “I read that letter just to illustrate that women have some real grievances and some real rights to be protected. I am serious about this thing.” Emanuel Celler of New York, the bill’s floor manager in the House, joined in the fun. “I can say as a result of forty-nine years of experience—and I celebrate my fiftieth wedding anniversary next year—that women, indeed, are not in the minority in my house,” he said. “I usually have the last two words, and those words are, ‘Yes, dear.’”
Several of the House’s twelve women representatives rose to try to silence the laughter and advocate seriously for the amendment. Martha Griffiths, Democrat of Michigan, was the one who finally succeeded. “I presume that if there had been any necessity to point out that women were a second-class sex,” she said, “the laughter would have proved it.” Griffiths (who supported the bill) made a shrewd appeal to the Civil Rights Act’s opponents, mainly Southern Democrats like Smith. By then, it looked inevitable that the law they hated had enough votes to pass. So she warned that without the sex provision, Title VII would afford more rights to black women than to white women. “A vote against this amendment today by a white man is a vote against his wife, or his widow, or his daughter, or his sister.”
The session eventually dubbed “Ladies Day in the House” had the hallmarks of an impromptu stunt by Smith to try to sink the Civil Rights Act. Civil rights for African Americans might have been palatable to many white legislators now that the horrors of Bull Connor and Birmingham had become national news, but civil rights for women were, literally, a joke.
Though it might have seemed incongruous for an avowed enemy of civil rights, Howard Smith had a long history of supporting the Equal Rights Amendment. Under pressure from the ERA’s supporters, he actually had been dropping hints for weeks that he intended to offer a “sex” amendment. (Most of the ERA’s supporters were white, and many kept alive a legacy of not-so-subtly racist activism dating back a century that decried expanded legal protections for African American men, such as the right to vote, that were denied to women.) As a friend to southern manufacturing interests, Smith also might have understood the human capital that would be freed up by a federal law nullifying widespread state law restrictions on women’s ability to work as many hours as men.
When Smith’s amendment was put to a vote a few hours later, it passed 168 to 133, with the most votes in favor cast by Republicans and Southern Democrats. From the gallery came a woman’s shout, “We’ve won! We’ve won!” and then another’s cry, “We made it! God bless America!” After the bill moved to the Senate for consideration, Smith’s amendment remained intact. When President Lyndon Johnson signed the Civil Rights Act into law on July 2, 1964, among its provisions was a ban on discrimination in employment “because of sex.” Read more…
Below is an excerpt from Chain of Title, by David Dayen, the true story of how a group of ordinary Americans took on the nation’s banks at the height of the housing crisis, calling into question fraudulent foreclosure practices. This story is recommended by Longreads contributing editor Dana Snitzky.
* * *
How could you not know who I am if you’re suing me?
Lisa Epstein drove down Highway A1A, along the Intracoastal Waterway, back to her old apartment in Palm Beach. At her side was her daughter Jenna, in a car seat; atop the dashboard was an envelope containing the monthly payment on her unsold co-op. Though her house was in foreclosure, Lisa always paid the mortgage on the apartment, her fallback in case of eviction.
Lisa gazed at the water out the window. She never wanted to miss mortgage payments; Chase told her to do it and promised assistance afterward, but then put her into foreclosure. The delinquency triggered late fees, penalties, and notifications to national credit bureaus. A damaged credit score affected a mortgage company’s decision to grant loan relief, which hinged on the ability to pay. Even if Lisa managed to finally sell the apartment, even if she could satisfy the debt on the house, the injury from this “advice” would stick with her for years. Chase Home Finance never mentioned the additional consequences, emphasizing only the possibility of aid. The advice was at best faulty, at worst a deliberate effort to seize the home. Lisa spent a lifetime living within her means, guarding against financial catastrophe. Now Chase Home Finance obliterated this carefully constructed reputation. She felt tricked.
America has a name for people who miss their mortgage payments: deadbeats. Responsible taxpayers who repay their debts shouldn’t have to “subsidize the losers’ mortgages,” CNBC host Rick Santelli shouted from the floor of the Chicago Board of Trade on February 19, 2009, two days after Lisa got her foreclosure papers. “This is America! How many of you people want to pay for your neighbor’s mortgage, that has an extra bathroom and can’t pay their bills, raise your hand!” The floor traders in Chicago, between buying and selling commodity futures, hooted. This rant would later be credited as the founding moment of the Tea Party. And it signified a certain posture toward delinquent homeowners, a cultural bias that equated missing the mortgage payment with failing the duties of citizenship. The indignation didn’t account for mortgage companies driving customers into default. However, lenders welcomed anything that humiliated deadbeats into blaming themselves. In most cases it worked: in the twenty-three states that required judicial sign-off for foreclosures, around 95 percent of the cases went uncontested.
But Lisa had an inquisitive mind. Before she would acquiesce, she wanted to understand the circumstances that led to this lawsuit from U.S. Bank, an entity she had never encountered before seeing it listed as the plaintiff. She had three questions: who was this bank, why did it have a relationship with her, and why was it trying to take her house? Read more…
The excerpt below is adapted from The Brazen Age, by David Reid, which examines the “extraordinarily rich culture and turbulent politics of New York City between the years 1945 and 1950.” This story is recommended by Longreads contributing editor Dana Snitzky.
* * *
Probably I was in the war.
—NORMAN MAILER, Barbary Shore (1951)
A hideous, inhuman city. But I know that one changes one’s mind.
In march 1946 the young French novelist and journalist Albert Camus traveled by freighter from Le Havre to New York, arriving in the first week of spring. Le Havre, the old port city at the mouth of the Seine, had almost been destroyed in a battle between its German occupiers and a British warship during the Normandy invasion; huge ruins ringed the harbor. In his travel journal Camus writes: “My last image of France is of destroyed buildings at the very edge of a wounded earth.”
At the age of thirty-two this Algerian Frenchman, who had been supporting himself with odd jobs when the war began, was about to become very famous. By 1948, he would become an international culture hero: author of The Stranger and The Plague, two of the most famous novels to come out of France in the forties, and of the lofty and astringent essays collected in The Myth of Sisyphus.
Camus’s visit to the United States, sponsored by the French Ministry of Foreign Affairs but involving no official duties, was timed to coincide with Alfred A. Knopf’s publication of The Stranger in a translation by Stuart Gilbert, the annotator of James Joyce’s Ulysses. In the spring of 1946 France was exporting little to the United States except literature. Even most American readers with a particular interest in France knew of Camus, if at all, as a distant legend, editor of the Resistance newspaper Combat and an “existentialist.”
Reviewing The Stranger in the New Yorker, Edmund Wilson, usually omniscient, confessed that he knew absolutely nothing about existentialism except that it was enjoying a “furious vogue.” If there were rumored to be philosophical depths in this novel about the motiveless murder of an Arab on a North African beach, they frankly eluded him. For Wilson the book was nothing more than “a fairly clever feat”—the sort of thing that a skillful Hemingway imitator like James M. Cain had done as well or better in The Postman Always Rings Twice. America’s most admired literary critic also had his doubts about Franz Kafka, the writer of the moment, suspecting that the claims being made for the late Prague fabulist were exaggerated. But still, like almost everyone else, especially the young, in New York’s intellectual circles Wilson was intensely curious about what had been written and thought in occupied Europe, especially in France.
“Our generation had been brought up on the remembrance of the 1920s as the great golden age of the avant-garde, whose focal point had been Paris,” William Barrett writes in The Truants, his memoir of the New York intellectuals. “We expected history to repeat itself: as it had been after the First, so it would be after the Second World War.” The glamorous rumor of existentialism seemed to vindicate their expectations. Camus’s arrival was eagerly awaited not only by Partisan Review but also by the New Yorker, which put him in “The Talk of the Town,” and Vogue, which decided that his saturnine good looks resembled Humphrey Bogart’s. Read more…