Lisa Whittington-Hill suggests there’s a distinct gender bias in celebrity memoirs. Where female celebrities are expected to expose all, male writers get to write about whatever they want.
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The Hare Krishnas of Coal Country
The world is full of make-believe. Some of it is sweet, some of it is sick. It persists because we have found no other antidote for pain.
This Week In Books: I Bought Some Books
Am I ghoul for buying all these plague books?
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Falling in Love with Chicago at Night: An Interview with Jessica Hopper
In “Night Moves,” Jessica Hopper is 80% on her bike and 20% at a show, memorializing a young adulthood spent in just one of “a million Chicagos” — but one that shaped a wide network of artists and writers.
Snapshot of Canada: An Accidental Reading List
An incomplete portrait of a nation emerges from a stash of old print magazines.
Where Have All the Music Magazines Gone?
Inside music journalism post-2008 recession, and how media consumption in the 21st century offers a road map for the continuation of the once-robust medium.
Time To Kill the Rabbit?
In two new novels, the bunnies are anything but cute. (Unless … you use magic to turn one of them into a pre-TB Keats, or a talky Tim Riggins.)
A Fresh Look at The Smashing Pumpkins’ 1998 Album Adore
Loved and loathed in equal measure, one thing critics can’t take from this influential 90s band is their willingness to evolve musically.
