Reflecting on the adversities and victories of her youth, Emi Nietfeld interrogates how narratives of resilience minimize suffering.
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Pages You Can Dance To: A Book List
Either Martin Mull or Frank Zappa or Elvis Costello once said writing about music is as pointless as dancing about architecture. Which doesn’t account for how I’ve danced to all these books.
This Month In Books: Botanize Your Past To Save the Future
This month’s books newsletter is overflowing with regional fiction, travel writing … and retro-botany.
The No. 1 Ladies’ Defrauding Agency
What a 19th-century scammer can teach us about women, lying, and economic boom-and-bust cycles
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
Reading with Kiese Laymon’s “Heavy”
“Heavy” confronts generations of Black art.
‘I’m Always Writing Against This Idea That Denver’s a White Space.’
Kali Fajardo-Anstine talks about her new short story collection “Sabrina & Corina,” her obsession with dualities, and Chicano and Indigenous history in Denver.
‘My Teachers Said We Weren’t Allowed To Use Them.’
How Cecelia Watson learned to stop worrying and love the semicolon.
‘I Don’t Think Those Feelings of Self-Doubt Ever Go Away.’
Susan Choi talks about feeling unsure of oneself, as a writer, as a performer — or as a victim — and about how her latest novel evolved in uncanny tandem with the real world.
