Terry Gilliam’s 1995 film 12 Monkeys showed us a bleak future, one in which a virus had wiped out most of humankind. Twenty-five years on, the film’s creators revisit their visionary film.
film
Posted inNonfiction
So Much More Than Enough
My favorite director, Lynn Shelton, died suddenly this month at the age of 54. Did the spirit of indie filmmaking go with her?
Posted inArts & Culture, Books, Commentary
This Week in Books: A B-Movie Storytelling Moment
Give me a Bolaño novel that starts with a guy walking into a bar, and then another guy starts telling him a story, and the rest of that novel is just the second guy telling that story.
Posted inEssays & Criticism, Feature, Nonfiction, Quotes, Story
Thumbing a Ride: What I Learned from Siskel and Ebert
Dipti S. Barot pays homage to the two irreplaceable voices who informed her love of good movies.
Posted inArts & Culture, Culture, Essays & Criticism, Feature, History, Nonfiction, Story
Let Me Show You the World
Almost everything you think you know about Aladdin is wrong.
Posted inArts & Culture, Essays & Criticism, Story
Cahiers du Post-Cinéma
The movie theater was once a kind of lay church, with festivals like TIFF serving as annual religious holidays — until new houses of worship opened online.
Posted inNonfiction
Nashville contra Jaws, 1975
In their time, “Jaws” and “Nashville” were regarded as Watergate films, and both were in production as the Watergate disaster played its final act.
Posted inArts & Culture, Essays & Criticism, Story
Death Proof
With ‘Once Upon a Time… in Hollywood,’ Quentin Tarantino slakes his thirst for nostalgia while he plays god with another piece of history.
Posted inStory
The Erotic Thriller’s Little Death
What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?