“With his career on the ropes, Martin Scorsese fought his way back to the top with a low-budget, surreal black comedy, set in New York’s gritty downtown scene.”
film
Posted inReading List
Bomb the Multiplex: A ‘Barbenheimer’ Reading List
“With people turning a shared release date into a meme-fueled double feature, we rounded up our favorite reads about 2023’s oddest duo.”
Posted inEditor's Pick
Welcome to the No-Budget Era
“Film’s unlikely hope? A quirky, brilliant wave of directors churning out microbudget features that are pushing what’s possible with minuscule funding.”
Posted inNonfiction
The Top 5 Longreads of the Week
This week, our editors recommend notable features and essays by Katie Barnes, Rachel Handler, Alex Hawkins, Lila Shapiro, and Raksha Vasudevan.
Posted inEditor's Pick
Every Language Everywhere All at Once
“Audiences love foreign TV and film. So do streamers. There’s just one little challenge.”
Posted inEditor's Pick
Nicolas Cage Can Explain It All
In an era when too many celebrity profiles either take place entirely over Zoom or vastly misapprehend what makes someone objectively interesting, Gabriella Paiella’s April cover story for GQ manages what seems the impossible: avoiding the pitfalls, commiting without caping, and leaving you with a very real sense of a man you thought you knew […]
Posted inEditor's Pick
The Power of the Still: The Photography Behind the Scenes
There’s an art and process to capturing iconic and marketable images from films. Director Jane Campion and her unit stills photographer Kirsty Griffin — along with David Lowery, Eric Zachanowich, Joachim Trier, and Christian Belgaux — talk about behind-the-scenes photography during the filming of The Power of the Dog. There’s just something about the eye […]
Posted inEditor's Pick
Keanu Reeves Knows the Secrets of the Universe
“Guy’s always working—sixty-eight movies in thirty-five years. Playing killing machines, doofuses, romantics, messiahs, and devils. But always Keanu. Which always means something more.”
Posted inEditor's Pick
The Untold Stories of Wes Studi
“Wes starring in films that have nothing to do with Native American heritage is something we acutely desire: to be allowed to play parts without having to authenticate our realness as Indians.”
Posted inEditor's Pick
The End of the Road
“Living in a van represented a new, glamorous ideal, unburdened from homeownership and a steady job — unmoored, even, from the physical world itself. If owning a home was no longer possible, there was endless space on Instagram.”