“I think when I found film,” he said, “I found a way — I still hide a bit — but a way to not hide as much. I felt like I could put these things into the work because it’s the movie. It’s not me.”
film
Posted inArts & Culture, Profiles & Interviews, Story
Shooting For Truth
Adam Skolnick visits director Chris Weitz on the set of his new film, Operation Finale.
Posted inArts & Culture, Books, Essays & Criticism, Story
Defeating the Celluloid Axis
The invisible language of film permeates Christian Kracht’s “The Dead,” prose that is neutral and shot through with so much darkness, you occasionally can’t find the light.
Posted inEditor's Pick
Nicole Holofcener’s Human Comedies
A profile of filmmaker Nicole Holofcener, whose movies — from her 1996 debut, “Walking and Talking,” to the as yet to be released “Land of Steady Habits” — are informed to varying degrees by her own experiences.
Posted inArts & Culture, Reading List
Great Reviews Of Movies I Have Never Seen: A Reading List
Sometimes, the review is better than the film it reviews.
Posted inBooks, History, Story
When the Movies Went West
Scorned by stage actors and mocked by the theater-going upper classes, filmmakers nevertheless developed a bold new art form — but they needed better weather.
Posted inEssays & Criticism, Story
A Remarkable Child
My friend Sam went back to Brooklyn and his gang of peculiar white buddies watching their endless Stanley Kubrick film festival. I shall not see him again.
Posted inBlog Post, Media, Unapologetic Women
Why Can’t Female Reporters Stay in the Picture?
Journalists who get screen time are most often men—even when the original story was told by a woman.
Posted inEditor's Pick
What Ever Happened to Brendan Fraser?
A profile of actor Brendan Fraser — who was popular in the ’90s for movies like School Ties, and has been making something of a comeback since he was cast in The Affair in 2016. Fraser reveals that in 2003 he was touched inappropriately by Philip Berk, a former president of the Hollywood Foreign Press […]
Posted inEditor's Pick
What Do We Do with the Art of Monstrous Men?
“We is an escape hatch. We is cheap. We is a way of simultaneously sloughing off personal responsibility and taking on the mantle of easy authority.”