Lawson’s photographs capture the divinity and stateliness of its working-class subjects.
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Posted inNonfiction
Borrowed Babies
Five months into her first pregnancy, one writer pursues a research project about the history of home economics, as she struggles with her own concerns about motherhood.
Posted inNonfiction
The Girl I Didn’t Save
Cameron Dezen Hammon reflects on her frustrations as a Christian music minister for the terminally ill, unable to heal a cancer patient she cared for, and struggling to be compassionate at her belligerent Jewish father’s bedside.
Posted inArts & Culture, Books, Profiles & Interviews
Arranging Your Body in Space: Talking Identity, Memoir, and Twins with Leah Dieterich
“One-eighth of all natural pregnancies begin as twins,” Leah Dieterich writes in her memoir, “but early in pregnancy, one twin becomes less viable and is compressed against the wall of the uterus or absorbed by the other twin.” This concept of a vanishing twin, a term coined in the year of Dieterich’s birth, frames the […]
Posted inNonfiction
The Unreliable Reader
In Esmé Weijun Wang’s book of personal essays, “The Collected Schizophrenias,” it’s the reader, not the writer, who is an unreliable narrator.
Posted inBooks, Nonfiction, Profiles & Interviews, Story
Reimagining Harper Lee’s Lost True Crime Novel: An Interview with Casey Cep
“Somewhere along the way it became very clear to me that I was writing the book she never would.”
Posted inBooks, Essays & Criticism, Nonfiction, Story, Unapologetic Women
There Is No Other Way To Say This
“Tell them on the outside,” Carolyn Forché’s Salvadoran mentor instructed her. Her memoir is her latest attempt. Its elliptical lyricism, like that of her poetry, runs circles around censorship.
Posted inBooks, Current Events, Nonfiction, Story
How Does It Feel To Be Unwanted?
And how many times can you start your life all over again from zero? If there’s anyone who knows the answer, it’s Claudia Amaro.
Posted inEditor's Pick, Essays & Criticism, Feature, Nonfiction
Eating to America
When Naz Riahi was 9, she escaped tragedy in Iran only to be confronted by a cruel new world in America. Food became her solace and her tool for assimilating.
