Booker Prize-winning author Arundhati Roy is the embodiment of concept that the personal is political, even (especially?) in her fiction.
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Are We in a Golden Age for Experimental Film Scores?
Pulp Fiction and Garden State created a successful model for soundtracks, but movie directors are now moving away from the curated mixtape formula, and having musicians create idiosyncratic scores to set their films and soundtracks apart.
‘What Would Social Media Be Like As the World Is Ending?’
In Mark Doten’s “Trump Sky Alpha,” a journalist who has survived Trump’s nuclear apocalypse gets an assignment from what’s left of the New York Times Magazine: find out what people were tweeting as the bombs fell.
‘Archive, Archive, Archive’: Valeria Luiselli on Reading In Order To Write
To write “Lost Children Archive,” Valeria Luiselli studied the refugee crisis “obliquely,” reading about other historical moments of children’s mass displacement, amassing a reader’s archive of loss.
The 2019 Pulitzer Prize Winners
The winners of the Pulitzer Prize have been announced.
‘I’ve Always Been Either Praised or Accused of Ambition’: An Interview with Barbara Kingsolver
Barbara Kingsolver takes a rigorous, scientific approach to her novels’ subjects — but, as a woman writer, her authority is often challenged.
What Does a Political Story Look Like in 2018?
An essay in which Roxane Gay reveals how she chose the short stories for inclusion in Best American Short Stories 2018 — with an eye toward writing that engaged with the political in thoughtful, engaging, diverse and inclusive ways.
Putting a New Stone on the Grave: Sjón Brings the Golem to Iceland
Sjón’s “CoDex 1962” is the fulfillment of a pact he made with the Maharal of Prague in the Old Jewish Cemetery almost three decades ago.
You Robbie, You Baka
On having a twin with cerebral palsy and navigating school bullies.
This Heist’s for the Birds
“I always say, If there is a $50,000 bill flying around, someone is going to try to catch it.”
