Weed? Turns out it’s tricky to grow your own.
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Posted inStory
‘I Don’t Think Those Feelings of Self-Doubt Ever Go Away.’
Susan Choi talks about feeling unsure of oneself, as a writer, as a performer — or as a victim — and about how her latest novel evolved in uncanny tandem with the real world.
Posted inArts & Culture, Books, Commentary
This Week in Books: A B-Movie Storytelling Moment
Give me a Bolaño novel that starts with a guy walking into a bar, and then another guy starts telling him a story, and the rest of that novel is just the second guy telling that story.
Posted inReading List
This Week In Books: A ‘Melancholia’ or ‘Take Shelter’ Situation
I will become power-mad and lock my boyfriend inside forever!
Posted inBooks
This Month In Books: Botanize Your Past To Save the Future
This month’s books newsletter is overflowing with regional fiction, travel writing … and retro-botany.
Posted inFiction, Highlight, Quotes
Did Your Walls Keep Them Out, or Lock You In?
Gabriela Garcia’s short story about a women fighting a cold war with her new neighbor is deeply political without explicitly being about politics at all.
Posted inBooks, Fiction, Story, Uncategorized
Seasonal Associate
No longer able to live on her freelance writing income, German novelist Heike Geissler takes a holiday seasonal job at an Amazon fulfillment center.
Posted inStory
High Expectations: LSD, T.C. Boyle’s Women, and Me
“Outside Looking In” dramatizes the discovery of LSD and the cult of personality surrounding Timothy Leary. Our reviewer drops acid and thinks about how, for women, it can be safer to be a downer.
Posted inBooks, Fiction, Profiles & Interviews, Story
Irvine Welsh on Brexit, Existential Panic, and His Latest ‘Trainspotting’ Sequel
“The books from ‘Trainspotting’ onwards have been about deindustrialization … the cruel existential panic that we feel, in the sense that we don’t really know what we’re here for anymore.”
Posted inNonfiction
‘I Was Trapped Forever In This Present Tense’: Carmen Maria Machado on Surviving Abuse
“She was always afraid of my voice. That was the defining factor of our relationship — fear of what I would say and write and do. She’s afraid of … the narrative that I possess.”
