When a refugee flees to another country and claims asylum, she is, in effect, petitioning the state to listen to her story.
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Guy Gunaratne on the ‘Push-Pull of Ancestry and Meaning’ in London
Guy Gunaratne’s Man Booker-longlisted “In Our Mad and Furious City” recognizes multiple, overlapping versions of London and its inhabitants, examining the ways violence can bubble up through the city’s fissures.
You Robbie, You Baka
On having a twin with cerebral palsy and navigating school bullies.
Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let cliché steer us in a certain direction, force us to say not quite what we mean…”
‘What Would Social Media Be Like As the World Is Ending?’
In Mark Doten’s “Trump Sky Alpha,” a journalist who has survived Trump’s nuclear apocalypse gets an assignment from what’s left of the New York Times Magazine: find out what people were tweeting as the bombs fell.
‘Archive, Archive, Archive’: Valeria Luiselli on Reading In Order To Write
To write “Lost Children Archive,” Valeria Luiselli studied the refugee crisis “obliquely,” reading about other historical moments of children’s mass displacement, amassing a reader’s archive of loss.
Are We in a Golden Age for Experimental Film Scores?
Pulp Fiction and Garden State created a successful model for soundtracks, but movie directors are now moving away from the curated mixtape formula, and having musicians create idiosyncratic scores to set their films and soundtracks apart.
The 2019 Pulitzer Prize Winners
The winners of the Pulitzer Prize have been announced.
At the Very Least We Know the End of the World Will Have a Bright Side
Solarpunk, a new genre of science fiction, demands radical optimism of its writers and readers. It takes the apocalypse as given, but doesn’t assume the worst of people living through it.
Arundhati Roy: “Fiction is a Universe”
Booker Prize-winning author Arundhati Roy is the embodiment of concept that the personal is political, even (especially?) in her fiction.
