Search Results for: New York Magazine

Reading List for 'Behind the Longreads' with New York Magazine

Reminder: This is next Wednesday! “Behind the Longreads” at Housing Works in NYC with New York magazine’s Dan P. Lee, Jessica Pressler, Wesley Yang and Editor-in-Chief Adam Moss. 

It’s a free event, and you can now RSVP on the Longreads Facebook page

Because this night is going to be about the stories themselves, we’ve prepared a reading list for the big event:

• “Travis the Menace,” by Dan P. Lee (also featured in our new Longreads: Best of 2011 ebook)

• “A Holly Golightly for the Stripper-Embezzlement Age,” by Jessica Pressler 

• “Paper Tigers,” by Wesley Yang

New York Magazine's Ben Williams: My Top Longreads of 2011

Ben Williams is the online editorial director at New York Magazine.


1. Celebrity profiles are the hardest genre to make fresh. So props to GQ for doing it not once but three times, with Jessica Pressler on Channing Tatum, Edith Zimmerman on Chris Evans, and Will Leitch on Michael Vick. With Pressler and Zimmerman, what’s great is the willingness of both subject and writer to play, and the dynamic between them—these pieces exploit the “profile as date” subtext really well. It’s fun to think about them as a sort of inverse to Jennifer Egan’s brilliant satire of the profile biz in A Visit From the Goon Squad.  In the Vick piece, what I like is the way that Leitch uses the PR apparatus around the process of profiling Michael Vick to reveal what’s at stake for him. He didn’t get much time with Vick, just a photo shoot and a phone call, but he used it to both explain and complicate the Michael Vick Story that the quarterback’s handlers want to tell. 

2. There are a bunch of New Yorker stories I could pick—Ryan Lizza’s “leading from behind” piece on Obama’s foreign policy was so influential; Jane Mayer on Thomas Drake and state secrets was fascinating and moving; Kelefah Sanneh not only wrote a great analysis of Odd Future, he tracked down their missing member; David Grann is David Grann—but my favorite was Jeffrey Toobin’s take on Clarence Thomas. There are so many things going on here: It’s a revisionist view that frames Thomas as very smart and canny; it shows how one justice can move the entire Supreme Court over decades through the way opinions are written; it sets the stage for next year’s healthcare ruling as a culmination of Thomas’s entire mission; and it makes clear once again just what a strange, extremist man he is.

3. Overall, my favorite thing in the new New York Times Magazine is probably the Riffs section—it identified a gap in the preview-and-review saturated culture journalism market, which is (relatively) long form argument/idea-driven pieces. To pick a few highlights: Dan Kois’s piece on avant-garde movies kicked off a fierce, endless, at times kind of ridiculous debate that just about every movie critic had to weigh in on; Adam Sternbergh’s piece on jokeless comedies defined an era; Sam Anderson on Derek Jeter both mocked empty sports hagiography and read like a hilarious version of Donald Barthelme. Alternate winner in this category is the New York Review of Books, which published some of the best cultural essays this year—Daniel Mendelsohn on Mad Men and Spiderman, Lorrie Moore on Friday Night Lights, and Dan Chiasson on Keith Richards were all delightful and provocative.

4. I just loved Paul Ford’s “The Web is a Customer Service Medium.” It’s the kind of piece that would be hard to get into a print magazine for various reasons, but it resonated instantly online. It’s a pretty abstract argument about a subject that’s not exactly under-analyzed—what is web content about, and how is it different from other forms of content?—but it opens by coining a phrase which instantly makes sense to anyone who works on the web: “Why wasn’t I consulted?” And then it goes on to make a very detailed, specific, convincing, and non-buzzword-filled argument that isn’t formulated expressly to piss off anyone who works in “old media,” which is refreshing.

5. Finally, some favorites in the emerging multimedia genre of longform tweeting. I probably read more words on Twitter than anywhere else this year, and I am grateful for the stamina of those who somehow manage to tweet and retweet extended thoughts all day, every day on specific themes. I learned as much about the Arab Spring by dipping into @acarvin’s feed as from any essays about it. @daveweigel is constantly insightful, and one of the few people capable of being funny about politics. Following @questlove’s stream is like listening to the world’s kindest, most passionate music geek.


See more lists from our Top 5 Longreads of 2011 >

Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook. 

New York Magazine's Jessica Pressler: My Top 5 Longreads of 2011

Jessica Pressler is a writer for New York Magazine. See her recent stories here. (Pictured above, inexplicably, with New York Police Commissioner Ray Kelly in 2010.)


Ok, so: There are no New York magazine articles in this Top Five, because I work there, and letting them in would clog up the list and might make for awkwardness at the office Christmas party, which is awkward enough already. None of these are by my friends, although Sarah Miller is a friend of a friend, John Jeremiah Sullivan and I once had an email correspondence that consisted entirely of sending each other links about animal attacks, and I profiled Michael Lewis this year, although I never heard from him after so maybe we’re enemies. Also, I limited myself to just one New Yorker article, because those people get enough attention.


Michael Lewis, “When Irish Eyes Are Crying,” Vanity Fair, March 2011

There’s really no one other than Michael Lewis who can turn 13,000 words on the European debt crisis into an enjoyable read (If he doesn’t say so himself, ahem). He has an amazing ability to sort of ground these these ginormous, abstract events (Ireland somehow lost $34 billion Euros???) in reality and to bring characters to life, like with his description of the Irish chief regulator’s “insecure little mustache.”

Lawrence Wright, “The Apostate,” The New Yorker, March 14, 2011

Paul Haggis, what a badass. And Lawrence Wright, of course. You have to just sort of bow down to the reporting and the writing in this story, the image of the New Yorker fact checkers facing off against the Scientology bigwigs with their binders is just as awesome for me as the one of a group Scientologists ripping each other apart during a sick game of musical chairs.

“Sarah Leal: How Ashton Kutcher Seduced Me,” Us Weekly, October 11, 2011

Sarah Leal is the “hot-tub worthy” chick Ashton Kutcher hooked up with in San Diego and ultimately the first domino in the collapse of his marriage to Demi Moore, but that’s not why this Q&A with her is interesting. The interviewer manages to extract from her the details of the night she spent with Ashton in minute detail (“Then I had to pee..”) and it doesn’t feel airbrushed the way it can when a celebrity magazine has made promises to publicists or the subject. There’s enough moments of weird hilarity (WHY is the bodyguard wearing a priest outfit?) to kind of balance out the tawdriness, and there’s even an unexpectedly touching moment when Ashton described his life as “90% fake.” I feel like I learned more about him and his weird, lonely life than I would from a magazine profile of the man himself.

“At Least We Don’t Brag,” Sarah Miller, Five Dials Number 19, March 2011 (PDF)

As a childless person living in the Smug Parent Capital of the World, I’m still nodding and laughing at this.

“Peyton’s Place,” John Jeremiah Sullivan, GQ, October 17, 2011

I guess it’s because of his book, but this year it kind of felt like everyone discovered the greatness of John Jeremiah Sullivan, because suddenly he is everywhere, and I think I speak for a lot of magazine writers when I say it kind of feels like your favorite indie band has become super-popular. Everyone went nuts over his Disney World story in the Times, but I’m picking the B-Side, which is a classic JJS, a 6,000 word piece that is kind of about nothing and everything all at once.

Our Longreads Member Pick: A Look Back at New York Woman Magazine


This week a debate erupted about “serious journalism” in women’s magazines—and as part of this discussion, several magazine editors reflected fondly on the work of the late, great magazine New York Woman and its founding editor, Betsy Carter. New York Woman was published from 1986-1992; Carter went on to work for O, the Oprah Magazine and write books including Nothing to Fall Back On: The Life and Times of a Perpetual Optimist. She also just finished her fourth novel. 

We asked Carter to share a story from the New York Woman archives, and she chose “The Jogger D.A.,” by Victoria Balfour, from 1991. Carter explains: 

“It was the harrowing New York crime story of the late eighties and every woman’s nightmare: a twenty-nine-year old female investment banker brutally beaten, raped and left for dead in a remote area of Central Park. Eventually, five teenage boys from Harlem were found guilty and sent to jail. As a monthly magazine with a three month lead time on a story that was in the papers nearly every day, New York Woman decided to focus on ‘The Jogger D.A.,’ the prosecutor in the case, Liz Lederer, a young newcomer to the DA’s office.

“Now, twenty-two years later, the story has re-emerged with the discovery that the five young men were wrongfully convicted, and Liz Lederer has been vilified for coercing false confessions from those men. This piece revisits the hysteria that surrounded that crime, and the pressure on the woman in the DA’s office to get it solved. It’s also an example of how, at New York Woman, we tried to find our own take on a story of the moment, and how we gave it the kind of time and space it warranted.

“The goal of New York Woman was to speak to women of the city much as they would speak among themselves. We did investigative pieces, cartoons, reviews, fiction, humor—using the best writers in the city. No topic was off-limits. We tried to capture whatever was in the air and give it a unique spin that spoke to our readers.”

Thanks to Betsy and Victoria for sharing this story with Longreads Members.

Our Longreads Member Pick: A Look Back at New York Woman Magazine

Longreads Pick

This week a debate erupted about “serious journalism” in women’s magazines—and as part of this discussion, several magazine editors reflected fondly on the work of the late, great magazine New York Woman and its founding editor, Betsy Carter. New York Woman was published from 1986-1992; Carter went on to work for O, the Oprah Magazine and write books including Nothing to Fall Back On: The Life and Times of a Perpetual Optimist. She also just finished her fourth novel.

We asked Carter to share a story from the New York Woman archives, and she chose “The Jogger D.A.,” by Victoria Balfour, from 1991. Carter explains here.

Source: New York Woman
Published: Jun 21, 2013
Length: 15 minutes (3,856 words)