Sam Anderson isn’t the first writer to seek enlightenment by walking. But most writers aren’t Sam Anderson. So when he sets out to retrace the steps of a mysterious 19th-century wanderer, your best choice is to go ahead and read the ensuing story. It’s exactly as humane and affirming as you hope it might be.

Today, the Old Leatherman is one of those stories that you either really deeply know or have never heard of at all. I discovered it by accident, 14 years ago. I was having a perfectly normal day, minding my own business, reading a book about local caves, when suddenly this absolute MOLTEN CHUNK OF AMERICAN LORE leaped out of the pages and installed himself in my brain. The Old Leatherman hit me with almost religious force. He was a perfect little parable about something both universal and, to me, very personal: the tension between alienation and belonging, rejection and rejecting. Who gets to belong to a group? What are the smallest possible triggers for inclusion or exclusion? And what happens when someone flips that dynamic: when the individual is the one rejecting the group — rejecting, in fact, the whole society? But also refusing to go away?

More picks from Sam Anderson

Spirited Away to Miyazaki Land

Sam Anderson | The New York Times Magazine | February 14, 2023 |

“What happens when the surreal imagination of the world’s greatest living animator, Hayao Miyazaki, is turned into a theme park?”

Into the Belly of the Whale With Sjón

Sam Anderson | The New York Times Magazine | January 13, 2022 | 5,079 words

“His books dance — with light, quick steps, never breaking eye contact — all over the line between the mythic and the mundane.”