The explosion of em dashes and negation (“it’s not X, it’s Y”) in LinkedIn posts and college essays over the past few years has an obvious culprit, and it rhymes with “fartificial fintelligence.” But rather than relying on pedantic ire, Sam Kriss sets out to take the measure of AI writing’s sundry and various shortcomings. Required reading for the next time someone tells you that “no, it’s actually quite good!” Good for data analysis, sure. Good for compelling prose? Maybe not quite.

What nobody really anticipated was that inhuman machines generating text strings through essentially stochastic recombination might be funny. But GPT had a strange, brilliant, impressively deadpan sense of humor. It had a habit of breaking off midway through a response and generating something entirely different. . . . When I tried to generate some more newspaper headlines, they included “A Gun Is Out There,” “We Have No Solution” and “Spiders Are Getting Smarter, and So, So Loud.”

I ended up sinking several months into an attempt to write a novel with the thing. It insisted that chapters should have titles like “Another Mountain That Is Very Surprising,” “The Wetness of the Potatoes” or “New and Ugly Injuries to the Brain.” The novel itself was, naturally, titled Bonkers From My Sleeve.” There was a recurring character called the Birthday Skeletal Oddity. For a moment, it was possible to imagine that the coming age of A.I.-generated text might actually be a lot of fun.

More on writing (human and otherwise)

ISpyForGood

Bertrand Cooper | The Baffler | April 15, 2026 | 4,875 words

“On any given day I was seen as both valuable and disposable, sometimes oscillating between these in the same hour.”

Up In Smoke

Philip Connors | The Baffler | April 15, 2026 | 3,393 words

“I woke up one day to the realization that I had written ten good pages of a book that was due in five months.”

A Night’s Sleep

Vincenzo Latronico | The Yale Review | March 16, 2026 | 2,046 words

“An insomniac’s lifelong pursuit.”

How to Begin

Jane O’Sullivan | The Sydney Review of Books | April 2, 2026 | 3,885 words

“Jane O’Sullivan on first lines in fiction.”

The Hardest Part Of History To Tell Is How It Felt

Craig Fehrman | Defector | April 15, 2026 | 2,279 words

“Historians and nonfiction authors often glide over lived experience. They prefer actions, citations, details, dates. But I had just gone through something primal—something beyond my control and beyond the boundaries of modern life.”

Masking My Autism Made Me Sick

Sarah Jane Cody | Electric Literature| March 5, 2026 | 3,976 words

“The rules dictated that I hide not only my sensitivity but my essential being in the world.”