In 2018, Floridians voted overwhelmingly to end greyhound racing, a sport they were told was archaic and inhumane. What if they were wrong?
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Shelved: Jeff Buckley’s Sketches for My Sweetheart the Drunk
The posthumous Buckley industry began with this problematic album, proof that the people who control a musician’s estate don’t always have his music in mind.
When American Media Was (Briefly) Diverse
An economic downturn in 2008 shuttered numerous publications and further marginalized people of color in an already minimally integrated industry. But in the 90’s and early-aughts, multicultural publications flourished, providing an alternative model for journalism that bears remembering.
An Audience of Athletes: The Rise and Fall of Feminist Sports
Billie Jean King once tried to find a sustainable business model for feminist sports coverage. Then women’s fitness tried to revive the swimsuit model.
The Proving Grounds: Charley Crockett and the Story of Deep Ellum
Generations of musicians got their start busking the streets of the Deep Ellum neighborhood of Dallas, Texas. After a decade of ‘hobo-ing’ around cities like New Orleans, Paris, and New York, Charley Crockett discovered it was his turn.
How to Tell Your Husband You’re a Witch
Witches we need you. Now more than ever. In the time of COVID-19 we can find respite in place-based reverence, plant magic and the divine feminine. So writes Lisa Richardson, who came to witchiness with nothing but white hetero straight-lacedness and a crush on a yoga teacher.
The Enduring Myth of a Lost Live Iggy and the Stooges Album
In 1973, Columbia Records professionally recorded the infamous band for a planned concert record. Columbia never released it. Maybe they never recorded it.
Understanding Craig Stecyk
Stecyk defined Southern California’s subversive, skateboard aesthetic and changed art and culture in the process, but that doesn’t mean he wants to talk about it.
How the Toronto Raptors and the Vancouver Grizzlies Revived the NBA
Both franchises led the NBA’s international expansion, and to stand out in the hockey-crazed country, the teams would need impressive logos and colorways to break through, but no one expected a red raptor or a grizzly bear outlined in Haida trim.
Hellhound on the Money Trail
Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
