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25 Movies and the Magazine Stories That Inspired Them
Posted by 
Catherine Cusick
Catherine Cusick 
Constance Wu and Jennifer Lopez on the set of 'Hustlers' in New York City. (Photo by Jose Perez/Bauer-Griffin/GC Images)
As more publications pursue blockbuster stories with film and television potential, producers in Hollywood and the magazine industry are taking their inspiration from successful article-to-film adaptations of the past that have achieved box office success.
Here are 25 gold-standard film adaptations of magazine articles, published over the course of half a century as cover stories, features, or breaking news, as well as direct links to read all 25 stories online.
Legacy magazines with well-known print editions dominate this list, as do the nonfiction writers that legacy magazines accept and champion. Many of these writers’ names will be familiar to readers, as will the majority of the magazines and films themselves, in many cases because celebrated journalists inspired these major motion pictures at the peak of their careers as writers and reporters. Name recognition in one industry reinforces name recognition in another, and — despite the incredible diversity of feature-length nonfiction being published today by new voices most mainstream audiences have yet to discover — institutional support still tends to elevate known veterans.
While the talents of all of the writers on this list are undeniable, there are also well-documented structural biases that account for why so many of the writers represented here are overwhelmingly male, white, or Susan Orlean. These stories belong on any narrative nonfiction syllabus on their own merit, but I hope these samples are still just the beginning, and that new filmmakers and magazine writers can start to work together far more often on a greater breadth of material, with sufficient editorial guidance and studio backing to support them.
This list is by no means exhaustive. I’ve limited this roundup to favor adaptations (loosely defined) based primarily on magazine-style features, including only a couple of films based on award-winning newspaper investigations. The list of new film and television adaptations based on popular books or podcasts, let alone reporting that has helped support the explosion in streaming documentary formats, would run even longer.
It takes time, access, imagination, and resources to be able to realize ambitious true stories like these in their original form as narrative magazine features. It would be a welcome change to see greater diversity in the production pipeline in the coming years: in the subjects of narrative stories, in the publications considered for exclusive source material, in the creative teams that are given studio support, in the agencies brokering deals, in the awards and recognition that elevate new work, and in the storytellers who are given the resources to write long.
Writers are the lifeblood of all of these industries, and will always play a pivotal role in any production that is based on a true story.
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A Beautiful Day in the Neighborhood (2019)
Based on Can You Say…Hero? by Tom Junod (Esquire, 1998)
Once upon a time, a man named Fred Rogers decided that he wanted to live in heaven. Heaven is the place where good people go when they die, but this man, Fred Rogers, didn’t want to go to heaven; he wanted to live in heaven, here, now, in this world, and so one day, when he was talking about all the people he had loved in this life, he looked at me and said, “The connections we make in the course of a life—maybe that’s what heaven is, Tom. We make so many connections here on earth. Look at us—I’ve just met you, but I’m investing in who you are and who you will be, and I can’t help it.”
Hustlers (2019)
Based on The Hustlers at Scores by Jessica Pressler (The Cut, 2015)
While evolutionary theory and The Bachelor would suggest that a room full of women hoping to attract the attention of a few men would be cutthroat-competitive, it’s actually better for strippers to work together, because while most men might be able keep their wits, and their wallets, around one scantily clad, sweet-smelling sylph, they tend to lose their grip around three or four. Which is why at Hustler, as elsewhere, the dancers worked in groups.
Beautiful Boy (2018)
Based on My Addicted Son by David Sheff (The New York Times Magazine, 2005)
Nick now claims that he was searching for methamphetamine for his entire life, and when he tried it for the first time, as he says, “That was that.” It would have been no easier to see him strung out on heroin or cocaine, but as every parent of a methamphetamine addict comes to learn, this drug has a unique, horrific quality. In an interview, Stephan Jenkins, the singer in the band Third Eye Blind, said that methamphetamine makes you feel “bright and shiny.” It also makes you paranoid, incoherent and both destructive and pathetically and relentlessly self-destructive. Then you will do unconscionable things in order to feel bright and shiny again. Nick had always been a sensitive, sagacious, joyful and exceptionally bright child, but on meth he became unrecognizable.
The Underground Magazine That Helped Shape Portland, Oregon
Posted by 
Aaron Gilbreath
Aaron Gilbreath Snipehunt 1994, cover by Sean Tejaratchi, courtesy of Portland Mercury
It’s hard to imagine now, but Portland used to be a tiny ignored little city that a lot of bands didn’t want to play and national media largely ignored. Those were sweet times. In that relative cultural isolation, a poster artist named Mike King started a music fanzine named Snipehunt to both harness and serve Portland’s small arts community. Enlarged and fully realized by editor Kathy Molloy, her volunteer team designed, edited, published, and distributed the magazine themselves. Snipehunt had a devoted following and helped launch the careers of its then-unknown freelance writers. Then in 1997, it abruptly quit publishing, and Molloy ghosted everyone and moved to British Columbia.
In an oral history for the Portland Mercury, local writer Joshua James Amberson goes on his own snipe hunt for Molloy, and he lets those who were involved with her artistically piece together the magazine’s creation and influence. One artist called Molloy “the punk mayor of Portland.” Molloy remains a mystery who, like her magazine, cannot be found online. Thanks to Amberson, Snipehunt now sort of has web presence.
The scene that inspired Snipehunt featured bands that weren’t getting media coverage and writers and artists without an outlet. The magazine soon became a breeding ground for local creators, and its contributor list is a peek at the kind of local talent and energy emerging during that time: novelist and screenwriter Jon Raymond, current Portland city commissioner Chloe Eudaly, filmmaker and installation artist Vanessa Renwick, local writer and publisher Kevin Sampsell, novelist Rene Denfeld, Crap Hound and Liar Town creator Sean Tejaratchi. For many of the contributors, Snipehunt was their first publication, their first opportunity to regularly try out their ideas on an audience.
A typical issue of Snipehunt had interviews with local and national bands, pages of comics from independent artists, scene reports from West Coast cities, oddball prose pieces, political action coverage, and pages of reviews—albums, zines, live shows, films, and books. It was a broad take on DIY culture, loosely based in the punk scene but covering artists and subjects far beyond the imposed limitations of that world.
With the magazine’s history largely absent from the internet, its name unfamiliar to the majority of current Portlanders, and physical evidence of its existence difficult to come by, I reached out to a couple dozen of its contributors to provide me—and the rest of new Portland—with a much-needed history lesson.
Dear New Owners: City Magazines Were Already Great
Posted by 
Mark Armstrong
Mark Armstrong As the president sucks up the oxygen from the media atmosphere, it’s easy to forget how important local journalism is right now. The regional press—the holy trinity of newspapers, alt-weeklies, and city magazines—is where we can find true stories of friends and neighbors impacted by immigration raids, fights over funding public education, and the frontline of relaxed environmental standards that will impact the water we drink and the air we breathe. We need to support their work. Read more…
What Columbia University’s Investigation Reveals About the Rolling Stone UVA Rape Story
Posted by Mark Armstrong
Mark Armstrong Columbia University’s School of Journalism has released its report investigating what went wrong with Rolling Stone’s story of a rape at UVA, written by Sabrina Rubin Erdely. Among its conclusions:
Rolling Stone’s senior editors are unanimous in the belief that the story’s failure does not require them to change their editorial systems. “It’s not like I think we need to overhaul our process, and I don’t think we need to necessarily institute a lot of new ways of doing things,” Dana said. “We just have to do what we’ve always done and just make sure we don’t make this mistake again.” Coco McPherson, the fact-checking chief, said, “I one hundred percent do not think that the policies that we have in place failed. I think decisions were made around those because of the subject matter.”
Yet better and clearer policies about reporting practices, pseudonyms and attribution might well have prevented the magazine’s errors. The checking department should have been more assertive about questioning editorial decisions that the story’s checker justifiably doubted. Dana said he was not told of reporting holes like the failure to contact the three friends or the decision to use misleading attributions to obscure that fact.
Stronger policy and clearer staff understanding in at least three areas might have changed the final outcome:
Pseudonyms. Dana, Woods and McPherson said using pseudonyms at Rolling Stone is a “case by case” issue that requires no special convening or review. Pseudonyms are inherently undesirable in journalism. They introduce fiction and ask readers to trust that this is the only instance in which a publication is inventing details at its discretion. Their use in this case was a crutch – it allowed the magazine to evade coming to terms with reporting gaps. Rolling Stone should consider banning them. If its editors believe pseudonyms are an indispensable tool for its forms of narrative writing, the magazine should consider using them much more rarely and only after robust discussion about alternatives, with dissent encouraged.
Checking Derogatory Information. Erdely and Woods made the fateful agreement not to check with the three friends. If the fact-checking department had understood that such a practice was unacceptable, the outcome would almost certainly have changed.
Confronting Subjects With Details. When Erdely sought “comment,” she missed the opportunity to hear challenging, detailed rebuttals from Phi Kappa Psi before publication. The fact-checker relied only on Erdely’s communications with the fraternity and did not independently confirm with Phi Kappa Psi the account Rolling Stone intended to publish about Jackie’s assault. If both the reporter and checker had understood that by policy they should routinely share specific, derogatory details with the subjects of their reporting, Rolling Stone might have veered in a different direction.
Back To School: A Reading List
Posted by 
Em Perper
Em Perper .Photo: Dean Hochman
Bullies, teachers, classmates—it’s time to head back to school with these six stories from the Chronicle of Higher Education, Los Angeles Times and more.
1. “Twice Exceptional.” (Hana Schank, The Big Roundtable, July 2015)
Hana Schank navigates a disturbingly complex bureaucracy to advocate for her four-year-old daughter, Nora, who is exceptionally bright and low-vision. Read more…
College Longreads Pick: 'School's Out Forever,' by Allison Pohle, University of Missouri
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Longreads
Longreads
Every week, Syracuse University professor Aileen Gallagher helps Longreads highlight the best of college journalism. Here’s this week’s pick:
Stories about people outside the margins of convention can have a “Check out these weirdos!” leitmotif. We write about these people because they are different. But a clumsy writer accentuates the differences instead of finding the common humanity. In her examination of the “unschooling” practice, Allison Pohle of the University of Missouri found families who seem pretty average, except in the educational choices they make for their children. There’s no eye rolling in this story, and it’s the mark of a writer who isn’t jaded. Try to stay that way.
School’s Out Forever
Allison Pohle | Inside Columbia magazine | April 2013 | 17 minutes (4,233 words)
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Posted by Longreads
Longreads Our Top 5 Longreads of the Week—featuring The New Yorker, Esquire, Miami New Times, Columbia Magazine, New York magazine, and a guest pick by Greg Spielberg.
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Posted by Longreads
Longreads Paul Auster opens up about his life and work:
Academics theorize endlessly about Auster and his literary motivations, labeling him everything from a New York Jewish hunger artist to a clever semiotician whose every decision — down to the color of the notebook his protagonists choose to write in — is fraught with symbolism. Auster dismisses most of this as academic overanalyzing, usually with a hidden agenda.
‘So many of these people have a point of view, a position, and are trying to articulate this position by using me as an example. But I myself, living within myself, never try to put labels on what I do. I just follow my nose.
‘I’m a man of contradictions, you know; I can’t say any one thing about myself. Yes,’ he says with a laugh, ‘I’m the hunger artist who likes to eat.’
“The Solitude of Invention.” — Stacey Kors, Columbia Magazine
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Posted by Longreads
Longreads How a second-generation Chinese daughter of two doctors in Birmingham, Mich., became one of New York City’s finest chefs:
Wanting to expand her culinary outlook to include more Eastern flavors, Lo moved to a French-Vietnamese restaurant, Can, where she met Scism, who was working as a grill cook. But it was when Lo took the helm of a Korean restaurant called Mirezi that she caught the attention of the New York Times restaurant critic Ruth Reichl, who praised her inventive dishes and ‘beautifully arranged food’ in a glowing review. After Mirezi closed in 1998, Lo and Scism spent a year traveling the world.
‘Anita will eat anything,’ says Scism, recalling a day in Bangkok when a vendor challenged Lo to eat a cockroach. ‘At one point, I told her she had a wing stuck in her two front teeth,’ says Scism with a laugh. ‘The thing about Anita is, she didn’t try the bug because she was challenged; she tried it because she really was curious about how it would taste.’
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