“Inside the world of Ironman XC, which makes the endurance contest a little more endurable — for executives who can afford to pay.”
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Sleight of Hand and Other Deceptions
“People are fooled by way more than just a deck of cards.”
The After, and Our Top 5
An excerpt from the graphic memoir “Opioids & Organs,” the latest from The Atavist, and our Top 5.
Boots on the Ground
“As FEMA struggles to keep up with climate disasters, extremist groups see an opportunity.”
The Promise and Peril of Space Tourism
“A space tourism industry is being built on the proposition of personal and existential transformation. But at what cost?”
How Barnes & Noble Went From Villain to Hero
For many years, Barnes & Noble was the Walmart of bookstores, crushing independent sellers through economy of scale. Then a new big bad entered the arena. As it turns out, though, neither pandemic nor Bezos could crush B&N — and now, armed with renewed focus, it’s staging one hell of a comeback. (Still shop independent […]
Milk Money
Reeves Wiederman reports on how the baby-formula shortage in the U.S. created an opportunity for new companies to enter an industry historically dominated by a few corporations. Laura Modi, a Google and Airbnb alum who founded the baby-formula startup Bobbie, is one such CEO hoping to transform an industry “that has grown complacent.” As Modi […]
The Twisted Life of Clippy
In the 1990s, Microsoft created a virtual assistant in Microsoft Office that users found annoying — so it was swiftly retired. For Seattle Met, Benjamin Cassidy recounts the history of an unloved and doomed office assistant that has lived on in pop and nerd culture. These days, an annoying Word creature might seem eminently tolerable […]
‘Why You Talking to a Bum?’
“When the very presence of unhoused people on the Chicago Transit Authority is considered a public safety concern, who is the public, and what are we keeping them safe from?”
Kendrick Lamar’s New Chapter
“In partnership with his longtime collaborator, Dave Free, the greatest rapper of his generation is pushing himself — commercially and creatively — onto unexpected terrain.”

