Seven years ago this month I started Longreads. To say the word “longread” has taken hold beyond my wildest expectations would be an understatement. It was a Twitter hashtag experiment — which I started because I wanted story recommendations for my subway commute — that turned into a company, a meme, an original publisher, and, of course, an endless cycle of writers debating whether longform storytelling is good or bad for the internet. (Well, thank god for that.) Read more…
Longreads is proud and excited to announce that one of our writers, Meaghan O’Connell, has sold a book to Little, Brown. We published Meaghan’s epic 14,248-word account of going into labor and giving birth, “A Birth Story,” last November, and it quickly became our most popular story of the year.
Meaghan shared the announcement with us, which was published in Publishers Marketplace:
A huge congrats to Meaghan! We’re looking forward to seeing And Now We Have Everything in bookstores.
I had many problems with Purity, Jonathan Franzen’s new novel. The book had me hooked and turning pages from the first. There’s plenty of intrigue–a murder; the mystery of the title character’s parentage; unfolding backstories that link assorted melodramatic subplots, far-flung over geography and time. But to a large degree I was racing through it in search of some comment that might show the author to have a less shallow, more mature and nuanced perspective on women than his male characters exhibit. The absence of that was one of my biggest disappointments. In an essay at Salon, Lyz Lenz echoes and perfectly crystallizes one of my issues with Franzen’s depictions of women:
Pip, the main character, is often described as “pretty” and herself describes other women in terms of their beauty. Pretty faces, pretty fingers, beautiful women and beautiful weeping clog the pages of the book. After page 70, I began counting every time I saw the words “beauty,” “beautiful” and “pretty.” By page 412 I had reached 50 and all of them related to women. The problem with calling a woman beautiful is that it is not a description. Beauty is a judgment. With the exception of Anabel, none of the female characters in the book are allowed to move beyond this judgment. In the over 500 pages, Pip, Annagret and the rotating cast of ancillary women are never allowed more than their shades of beauty…
…the women of the novel lay flat on the page, subject to the whims of the male gaze that created them.
This is also a misstep Franzen has made off the page — he once famously declared that Edith Wharton’s greatest disadvantage was that she wasn’t pretty. Franzen, it seems, can’t see women beyond the binary of beautiful or not. It would seem to be both a personal problem and a writing problem. As Dickens and Wolfe learned, every kind of person should be allowed to be fully actualized on the page. Holding female characters under the thumb of narrative judgment denies them humanity. And this is a contrast to the thesis of “Purity,” which argues rather that the modern, digtal world of Facebook, Twitter and web journalism is alienating — bodies, though confounding, are the conduit to redemption. Yet, by not allowing female bodies to be truly seen, Franzen undercuts his own thesis. It is not the Internet that is the alienating force in his novel, but a writer who can see a dog better than his own protagonist.
Save the date! On June 24, Longreads will be hosting a free night of storytelling at the Booksmith in San Francisco, featuring:
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Wednesday, June 24, 7:30 p.m.
1644 Haight Street
San Francisco, CA 94117
April 17 marks six years since we started this community—growing from just a few readers to over a million, with people now sharing stories in dozens of different languages from hundreds of publishers. Christian Jørgensen put together a really nice Storify timeline of how the Twitter hashtag #longreads first evolved.
This community also has grown from sharing stories to actually funding them. Longreads Members have already helped us finance dozens of stories from outstanding writers and publisher partners. You can see them here. (We’re also celebrating our one-year anniversary being part of the Automattic / WordPress.com family, and we couldn’t be prouder to be at a company dedicated to helping independent publishers succeed.)
Thank you to everyone has helped make this community of readers so special. We’re excited for what’s next, from new originals to live events in San Francisco and New York.
Since 2009, Longreads has thrived as a service and a community thanks to your direct financial support. Without Longreads Members’ contributions, it’s possible we would have had to shut down after just a couple years.
Now, here we are in 2014, with a global community of more than half a million readers. In April, Longreads joined the Automattic / WordPress.com family, which meant that the Longreads Member dues were no longer necessary to keep our four-person team going.
This also meant that we could finally make good on our original intention for the Longreads Membership—which was for 100% of your contributions to go directly to independent publishers and writers.
So that’s what we are announcing today: The Longreads Membership is now a great big digital story fund, financed with your generous support. The more Longreads Members who join, the more contributions we gather, the more stories we’ll help fund. Read more…
This month, Longreads is celebrating its fifth anniversary. I started this service in April 2009, and it has grown into an incredible global community of readers, writers and publishers. Together, we helped create a thriving ecosystem for longform storytelling and helped reverse the myth that the Internet has shortened attention spans or diminished our appetite for reading. Read more…
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