Lately, just about every time I turn to Facebook or Twitter, I’m greeted by an ad or sponsored content about the online writing course bestselling thriller author James Patterson offers on the MasterClass site (where Dustin Hoffman, Annie Liebovitz, Usher, Serena Williams and others serve up the tricks to their trades, too). “Set out to […]
In her essay “This Imaginary Half-Nothing: Time” (#10 on this list), poet Anne Boyer quotes another poet, John Donne: “We study health, and we deliberate upon our meats, and drink, and air, and exercises, and we hew, and we polish every stone that goes to that building; and so our health is a long and a […]
INTERVIEWER Isn’t there an enormous temptation as a fiction writer to take scenes out of history, since you do rely on that so much, and fiddle with them just a little bit? DOCTOROW Well, it’s nothing new, you know. I myself like the way Shakespeare fiddles with history; and Tolstoy. In this country we tend […]
Station Eleven author Emily St. John Mandel recently tweeted that she’d quit her day job—something she’d been unable to do for years before the success of her highly acclaimed fourth novel, which was nominated for a National Book Award, among other prizes. In interviews over the years, Mandel has talked about her necessity for at […]
Indeed, the famous eclecticism of “The Waste Land,” which incorporates quotations from multiple languages and literatures, can be seen as a tribute to the educational philosophy that governed Harvard during Eliot’s time there… Yet as Crawford shows in the impressively researched Young Eliot, the “melange of topics” that Eliot explored in college “mightily enriched his poetry.” […]
The weekly writing assignments—thousand-word limit, a safeguard for Bill’s sanity—required us to try our hands at a wide range of forms: humor, interviewing, travel, science, sports, criticism, editorials. This regimen inevitably yielded the occasional face-first failure, soon to be transmuted by pedagogical alchemy into an edifying failure. At the end of class, Bill would return […]
“It didn’t occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret.” –Author Louise Erdrich, in the Paris Review. Read the interview
April 15 may be Tax Day, but for some—especially singer Gillian Welch—it’s the 14th of April that’s notorious. April 14 marks the anniversary of three awful, fabled events: the assassination of President Abraham Lincoln in 1865; the Titanic striking an iceberg in 1912 (it sunk in the wee hours of the 15th); and the Black Sunday dust storm of […]
In 1973, Tom Wolfe published The New Journalism; the seminal book was part manifesto for a new style of nonfiction writing and part anthology of its early greatest hits. It contained work by Wolfe, Gay Talese, Joan Didion, Hunter S. Thompson, Truman Capote, and Norman Mailer, among others. Below is a short excerpt from the book’s first chapter, where […]
From visual emojis depicting simple emotional states, it’s a short step to the more dynamic emotion or reaction gifs, used by certain internet subcultures to respond or react in playful ways to an online discussion. These are gif images, often originating from internet memes, that depict elements of body language that can be too complex for an emoticon to describe. Essentially, it’s an innovative way for speakers to convey a sense of gesture on the internet.
When Pauline Kael typed “prevert” instead of “pervert,” she meant “prevert” (unless she was reviewing something by Jacques Prévert). Luckily, she was kind, and if you changed it she would just change it back and stet it without upbraiding you. Kael revised up until closing, and though we lackeys resented writers who kept changing “doughnut” to “coffee cake” then back to “doughnut” and then “coffee cake” again, because it meant more work for us, Kael’s changes were always improvements.
Guernica: Is there ever a situation where you’d advise an author not to take a big advance that’s being offered? Chris Parris-Lamb: No, not really. Which is not the same as saying they should always take the biggest advance that’s being offered. But I’d never advise an author to turn down an advance because it’s […]
There are only so many ways to describe food. You become hyper-aware of your own clichés. If you’ve gotten tired of reading “lovely,” “tinged,” and “delightful” in my reviews over the past seven years, all I can say is that you should have seen the first drafts.
My writer friends tend to see my new world as grist for writing, and I suppose it is. But this is also my life, not some sociological quest. I am not play-acting the soldier’s wife; my husband is not play-acting deployment; we are not play-acting strained 1 AM phone conversations that are being monitored in […]
The specialty of the novel is that the writer can talk about his characters as well as through them or can arrange for us to listen when they talk to themselves. He has access to self-communings, and from that level he can descend even deeper and peer into the subconscious.
David Carr, the acclaimed journalist, media columnist for The New York Times, and author of the bestselling Night of the Gun, died February 2015 in New York at the age of 58. Here is a brief reading list of stories by and about Carr, his life and work. It doesn’t even begin to cover it. […]
Eva Holland is a journalist based in the Yukon who has written for publications including Pacific Standard and SB Nation. Her latest Longreads Original, “‘It’s Yours’,” explores the life (and maybe death) of an internet commenter community, “the Horde,” that Ta-Nehisi Coates helped foster at The Atlantic. I spoke with her via email about her […]
Sex is difficult to write about because it’s just not sexy enough. The only way to write about it is not to write much. Let the reader bring his own sexuality into the text. A writer I usually admire has written about sex in the most off-putting way. There is just too much information. If you start saying “the curve of . . .” you soon sound like a gynecologist.
[Rosemary] Tonks’s first poetry collection, Notes on Cafés and Bedrooms, was published in 1963; her second and final one, Iliad of Broken Sentences, in 1967. She interweaves images of her years in Asia and Africa with snapshots of bohemian London: desert oases and mirages, jazz and cocktails. True to the first collection’s title, the poems carry a […]
Time carried back to the future, once again seen and understood as it was in antiquity, not only as mortal enemy but also as immortal ally. The counterrevolution against the autocratic regime of uniform, global time (commercially and politically imperialist) was pressed forward by many of the artists and writers of Einstein’s generation unwilling to […]
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