Nicki Kattoura on the impossibility of writing about the destruction of Gaza.
Writing
Posted inEditor's Pick
‘If You Scream You Are a Dead Duck’: At 14, my Mother Left me Alone All Summer – Then the Man With a Knife Found Me
“I asked her not to go on the six-week camping trip with her boyfriend, but she said I would be fine. I wasn’t – I was raped.”
Posted inEditor's Pick
The Birth of My Daughter, the Death of My Marriage
“Being an adult meant watching many possible versions of yourself whittle into just one.”
Posted inEditor's Pick
How a Script Doctor Found His Own Voice
“For decades, Scott Frank earned up to three hundred thousand dollars a week rewriting other people’s screenplays. Finally, he decided to stop playing ventriloquist.”
Posted inEditor's Pick
Invisible Ink: At the CIA’s Creative Writing Group
“When an organization has, say, financed the overthrow of the government of Guatemala, you would think there might be a speaking fee.”
Posted inEditor's Pick
Recognizing the Stranger
“What in fiction is enjoyable and beautiful is often terrifying in real life.”
Posted inEssays & Criticism
Poets in the Machine
Why does the literary world still hold online writing at arm’s length?
Posted inEditor's Pick
Confessions of a Viral AI Writer
“Despite my success with AI-generated stories, I’m not sure they are good for writers—or writing itself.”
Posted inEditor's Pick
What AI Teaches Us About Good Writing
“While AI can speed up the writing process, it doesn’t optimize quality—and it endangers our sense of connection to ourselves and others”