“In my family, love was the slow accumulation of moments in which I was not subjected to great harm.”
Writing
Letters from Trenton
While striving to become a travel writer in the years after Watergate, Thomas Swick discovered that although writing for a newspaper was educational, there was more to be learned through romance with a foreigner.
Your Best Work Comes from Scaring Yourself
Essayist Chelsea Hodson had to give herself permission to be uncomfortable.
Arundhati Roy: “Fiction is a Universe”
Booker Prize-winning author Arundhati Roy is the embodiment of concept that the personal is political, even (especially?) in her fiction.
Author Carmen Maria Machado on the Next Phase of #MeToo
Carmen Maria Machado discusses the nuances of “benevolent sexism,” who gets to define the #MeToo movement, and how it should progress.
Dorothy Allison on how Shame Defines Class
“What seemed to me life-saving was that I couldn’t lie. I couldn’t put a candy-coated gloss on anything.”
Anthony Bourdain and the Missing Piece
With magic, the goal is to give someone something they can carry around with them for a while.
For Me, With Love and Squalor
After publishing her first book, Lauren Markham begins the long search for what she truly wanted after writing it.
The Whole World is Naples Now
Sprawling, crumbling, beautiful, rough — Elena Ferrante’s Naples shows us the world’s violent underbelly, with no pretense.
But What Will Your Parents Think?
In this personal essay, This Will Be My Undoing author Morgan Jerkins tackles the time-worn question of how far is too far to go in revealing yourself in first-person writing.
