“All the people you could have been had you chosen differently—they haunt the bookstore alongside the person you became and could still become.”
Writing
Posted inEditor's Pick
How to Grieve Your Friend and Mentor
In this moving personal essay, Amy Jo Burns writes about how the death of her writing mentor, Louise DeSalvo, has affected her, and how reading Alexander Chee’s How to Write an Autobiographical Novel, and Sigrid Nunez’s The Friend helped her process her grief.
Posted inBooks, Fiction, Profiles & Interviews, Story
The Need for Distance: Jaclyn Gilbert on Writing and Running
For author Jaclyn Gilbert, revising her writing is much like doing the same running loops over and over, to the point where she doesn’t have to think about where she’s going anymore.
Posted inEditor's Pick
Writing to Avoid Erasure
After finding a note left by his grandfather, Aram Mrjoian considers how writing about the Armenian diaspora could help prevent history from being forgotten.
Posted inEssays & Criticism, Nonfiction, Story
Writing to Avoid Erasure
After finding a note left by his grandfather, Aram Mrjoian considers how writing about the Armenian diaspora could help prevent history from being forgotten.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
Writing to Avoid Erasure
After finding a note left by his grandfather, Aram Mrjoian considers how writing about the Armenian diaspora could help prevent history from being forgotten.
Posted inNonfiction
‘Emerging’ as a Writer — After 40
Jenny Bhatt recalls the rites of passage that led to her shift in identity from corporate executive to woman writer of color.
Posted inArts & Culture, Books, Commentary, Culture, Current Events
Remembering Ntozake Shange
The poet, novelist, and playwright Ntozake Shange died Saturday, October 27.
Posted inArts & Culture, Books, Commentary, Culture, Current Events
Reading with Kiese Laymon’s “Heavy”
“Heavy” confronts generations of Black art.
Posted inEditor's Pick
The Movie Assassin
This personal essay by Sarah Miller has gone viral and divided Twitter. Those who love the piece — about Miller’s struggle in 1996 to get away with panning “The English Patient” for an alt weekly paper — appreciate her brutal honesty and her irreverence toward the Serious Film establishment.