Former baker Michael Mount explores the interplay of community, cookie dough, and changing terrain on Martha’s Vineyard
Writing
Life After Pain
One day, Ge Gao’s right hand stopped working. Then the pain started, and it’s never stopped.
Exilium Vita Est: The Island Home of Victor Hugo
Emma Jacobs takes us on an illustrated journey of Hugo’s writing life in exile on Guernsey, where he completed Les Misérables.
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
‘Nobody in This Book Is Going to Catch a Break’: Téa Obreht on “Inland”
‘The history of the West is a deeply turbulent one… that kept the living population in a constant state of unrest. I thought this constant state of unrest must be true for the dead as well.’
Shapes of Native Nonfiction: ‘The Basket Isn’t a Metaphor, It’s an Example’
The editors of “Shapes of Native Nonfiction” talk about the craft of writing, the politics of metaphor, and resisting the exploitation of trauma.
Workshopping Workshop: A Reading List
“In workshop, what, if anything, can be written on a syllabus or spoken aloud in class to ensure that each and every participant’s work is read with care?”
‘My Teachers Said We Weren’t Allowed To Use Them.’
How Cecelia Watson learned to stop worrying and love the semicolon.
‘I Surprise Myself With This Refusal To Let Go’: Kate Zambreno on the ‘Ghostly Correspondence’
“I thought for sure, I’ll never write about Rilke again. I’m done with Rilke! I’m sick of Rilke! Rilke — no more. But then the other day … I just started researching something about Rilke.”
