Ken Layne designs, edits, and distributes his independent magazine Desert Oracle from tiny Joshua Tree, California.
publishing
The Editor Who Brought Julia Child to America
Judith Jones, the legendary Knopf editor, has died at the age of 93.
Judith Jones, In Her Own Words
The prolific editor, who was an early champion of Anne Frank’s diary, Julia Child’s cookbooks, and many other notable works of the past half-century, passed away today.
Monocle: The Magazine As Boring, Lifestyle, Branding Infastructure
On Monocle’s tenth anniversary, one writer analyzes the magazine’s vision, business model, and what place this globalist outlet has in an age of increasing nationalism.
How Nan Talese Blazed Her Pioneering Path through the Publishing Boys’ Club
A fascinating profile of Nan Talese, a trail-blazer in publishing, and one-half of one of the most interesting, highly public marriages in history. The piece comes just as her husband, famously non-monogamous Thy Neighbor’s Wife author Gay Talese, prepares to write a book about their long, complicated, and very flexible union.
Publishing’s New Four-Letter Word
Publishing asks women — but not men — to be nice, as well as talented. Should we ask men to be more nice, or give women the leeway to be less so?
The Unbearable Niceness of Being
On niceness in publishing, and why we should ask men to do better.
Most Women In Publishing Don’t Have The Luxury Of Being Unlikable
An excerpt of Manjula Martin’s essay anthology, Scratch: Writers, Money, and the Art of Making a Living. Gould addresses one of the many double standards in publishing: women authors must be “nice,” accommodating and virtually boundary-less, while men authors suffer no consequences for being real–or even rude.
‘Let’s Suck This Week Less Than We Did Last Week’: An Oral History of The Stranger
Twenty-five years after its debut, here is the story of an independent newspaper in Seattle that spawned Dan Savage and won a Pulitzer Prize.
‘Let’s Suck This Week Less Than We Did Last Week’: An Oral History of The Stranger
Twenty-five years after its debut, here is the story of an independent newspaper in Seattle that spawned Dan Savage and won a Pulitzer Prize.
