The prolific editor, who was an early champion of Anne Frank’s diary, Julia Child’s cookbooks, and many other notable works of the past half-century, passed away today.
publishing
Monocle: The Magazine As Boring, Lifestyle, Branding Infastructure
On Monocle’s tenth anniversary, one writer analyzes the magazine’s vision, business model, and what place this globalist outlet has in an age of increasing nationalism.
How Nan Talese Blazed Her Pioneering Path through the Publishing Boys’ Club
A fascinating profile of Nan Talese, a trail-blazer in publishing, and one-half of one of the most interesting, highly public marriages in history. The piece comes just as her husband, famously non-monogamous Thy Neighbor’s Wife author Gay Talese, prepares to write a book about their long, complicated, and very flexible union.
Publishing’s New Four-Letter Word
Publishing asks women — but not men — to be nice, as well as talented. Should we ask men to be more nice, or give women the leeway to be less so?
The Unbearable Niceness of Being
On niceness in publishing, and why we should ask men to do better.
Most Women In Publishing Don’t Have The Luxury Of Being Unlikable
An excerpt of Manjula Martin’s essay anthology, Scratch: Writers, Money, and the Art of Making a Living. Gould addresses one of the many double standards in publishing: women authors must be “nice,” accommodating and virtually boundary-less, while men authors suffer no consequences for being real–or even rude.
‘Let’s Suck This Week Less Than We Did Last Week’: An Oral History of The Stranger
Twenty-five years after its debut, here is the story of an independent newspaper in Seattle that spawned Dan Savage and won a Pulitzer Prize.
‘Let’s Suck This Week Less Than We Did Last Week’: An Oral History of The Stranger
Twenty-five years after its debut, here is the story of an independent newspaper in Seattle that spawned Dan Savage and won a Pulitzer Prize.
The Selling of ‘Valley of the Dolls’
“A new book is like a new brand of detergent,” Jacqueline Susann famously said. “You have to let the public know about it. What’s wrong with that?”
On Graywolf Press and the Lyric Essay
Over at New York magazine, Boris Kachka has a piece looking at how the tiny, Minnesota-based Graywolf Press became a major player in book publishing. As the publisher of books like Maggie Nelson’s The Argonauts (read the first chapter here!) and Claudia Rankine’s Citizen, Graywolf Press has helped turn “the previously unprepossessing genre of the ‘lyric essay’ into a major […]
