Kiese Laymon on revision, radical friendship, and community.
publishing
Grieving, but Calmed by a Different Kind of Storm
In isolation, Stephanie Land finds surprising relief from PTSD — and discovers she is able to write again.
Why I’m Giving Myself Permission to Keep Writing at This Time
Our stories matter. And they are our legacies for future generations. (Plus: some free writing resources.)
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Why I Wanted To Finish My Father’s Life’s Work
Karen Brown recalls the pain and joy of fulfilling a deathbed promise.
Editors Thinking About Editing at the AWP Conference
The only way to work as an editor and a writer is to continue learning from other editors and writers.
Lawrence Ferlinghetti at 100: A Reading List
Beat poet and City Lights publisher Lawrence Ferlinghetti turns 100 on March 24. Here’s a reading list to celebrate the centenarian.
How the Guardian Went Digital
Remaking itself from a little leftie newspaper to a powerhouse of internet journalism required experimentation, transparency, and embracing uncertainty.
Three Decades of Cross-Cultural Utopianism in British Music Writing
The history of England’s fertile music press reveals as much about the opinionated English youth who created it as it does the music they covered in the second half of the 20th century.
Every Day I Write the Book
At 63, Michael Musto reveals how he keeps managing to add new chapters to the consistently unfolding story of his career.
