Jury chairman Stuart Franklin called the decision “morally problematic.”
photography
Posted inEditor's Pick
A Photographic Chronicle of America’s Working Poor
Writing Dale Maharidge and photographer Matt Black traveled through Maine, Ohio, and California for this piece updating the landmark study of the American working poor, Now Let Us Praise Famous Men.
Posted inNonfiction, Profiles & Interviews
The Trick to It All: A Conversation with Photographer Henry Leutwyler
Henry Leutwyler on portraiture and the magic of inanimate objects.
Posted inNonfiction, Profiles & Interviews, Story
The Trick to It All: A Conversation with Photographer Henry Leutwyler
Henry Leutwyler on portraiture and the magic of inanimate objects.
Posted inNonfiction, Quotes
Chronicling Mexico City Nights: The Grave Shift’s Violence
When you work the night shift for too long, the murders start to link up with one another, blending cause and effect in a centrifugal force that gnaws away at the city. The veteran reporters start to see this; the man gunned down one night is related to an ongoing gang dispute, which originates in […]
Posted inNonfiction
By the Reflection of What Is
On the aesthetics, performance, and “majestic wrath” of Frederick Douglass, the most-photographed American of the nineteenth century.
Posted inNonfiction, Story
By the Reflection of What Is
On the aesthetics, performance, and “majestic wrath” of Frederick Douglass, the most-photographed American of the nineteenth century.
Posted inNonfiction, Reading List, Unapologetic Women
Diane Arbus, Uncropped: A Reading List
Diane Arbus was renowned for photographing people on the margins, such as the mentally challenged, dwarves, giants, sideshow performers, crossdressers, and transsexuals. Was she merely a privileged voyeur of the vulnerable or an unsung champion of sexual and societal minorities? Here are five stories that will help you cut through the controversy.
Posted inNonfiction, Profiles & Interviews
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”
Posted inNonfiction, Profiles & Interviews, Story
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”