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Dustin Kurtz

Posted inBooks, Nonfiction, Story

To Consider Myself a Human Being

by Dustin Kurtz March 3, 2016October 19, 2022

How China remembers the Cultural Revolution.

Posted inBooks, Nonfiction

To Consider Myself a Human Being

by Dustin Kurtz March 3, 2016October 19, 2022

How China remembers the Cultural Revolution.

Posted inBooks, Nonfiction

This Better and Truer History

by Dustin Kurtz February 2, 2016October 19, 2022

On memory, therapy, and cats in the dryer: A discussion with J.M. Coetzee

Posted inBooks, Nonfiction, Story

This Better and Truer History

by Dustin Kurtz February 2, 2016October 19, 2022

On memory, therapy, and cats in the dryer: A discussion with J.M. Coetzee

Posted inBooks, Nonfiction, Story

The Story of Vicente, Who Murdered His Mother, His Father, and His Sister

by Dustin Kurtz December 29, 2015October 19, 2022

What’s one more crime in the murder capital of the world?

Posted inBooks, Nonfiction

The Story of Vicente, Who Murdered His Mother, His Father, and His Sister

by Dustin Kurtz December 29, 2015October 19, 2022

What’s one more crime in the murder capital of the world?

Posted inBooks, Nonfiction, Story

The Biblical Rheology of Deep-Dish Pizza

by Dustin Kurtz November 24, 2015October 19, 2022

A visit to Illinois—home to snow, slaughterhouse romance, and a fraught geology masquerading as pizza—courtesy of Matthew Gavin Frank’s brilliant new book.

Posted inBooks, Nonfiction

The Biblical Rheology of Deep-Dish Pizza

by Dustin Kurtz November 24, 2015October 19, 2022

A visit to Illinois—home to snow, slaughterhouse romance, and a fraught geology masquerading as pizza—courtesy of Matthew Gavin Frank’s brilliant new book.

Posted inNonfiction, Story

By the Reflection of What Is

by Dustin Kurtz November 10, 2015October 19, 2022

On the aesthetics, performance, and “majestic wrath” of Frederick Douglass, the most-photographed American of the nineteenth century.

Posted inNonfiction

By the Reflection of What Is

by Dustin Kurtz November 10, 2015October 19, 2022

On the aesthetics, performance, and “majestic wrath” of Frederick Douglass, the most-photographed American of the nineteenth century.

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