Sjón’s “CoDex 1962” is the fulfillment of a pact he made with the Maharal of Prague in the Old Jewish Cemetery almost three decades ago.
interviews
Arranging Your Body in Space: Talking Identity, Memoir, and Twins with Leah Dieterich
“One-eighth of all natural pregnancies begin as twins,” Leah Dieterich writes in her memoir, “but early in pregnancy, one twin becomes less viable and is compressed against the wall of the uterus or absorbed by the other twin.” This concept of a vanishing twin, a term coined in the year of Dieterich’s birth, frames the […]
An Immoderate Novel for an Immoderate Season: An Interview with Olivia Laing
Olivia Laing’s new novel, “Crudo,” is a fictionalized account of the summer of 2017, written in real time by Laing — from the perspective of Kathy Acker.
Not Quite Democracy: Lucie Greene on the Civic Aspirations of Tech Giants
Lucie Greene’s new book “Silicon States” is about the danger of concentrating so much power in so few hands.
Working Through the Apocalypse: An Interview with Ling Ma
In Ling Ma’s “Severance” — a novel she began to write after getting laid off, while living partly on severance pay — the characters keep going to work, even though they know it’s the end of the world.
I Would Never Say That, But the Character, He Said It: An Interview with Catherine Lacey
“When I write, I’m creating a character, and then I’m just performing that character, and typing what they say.”
Why Do Men Fight?: An Interview with Thomas Page McBee
“When I started asking myself questions about my own notions of masculinity. I just felt so limited, so suddenly afraid of becoming the kind of man I’d grown up in fear of.”
5 Questions for Kristi Coulter About Writing, Humor, and Getting Sober
“If I couldn’t find humor in sobriety, I probably wouldn’t make it.”
The Last of the Live Reviewers: An Interview with Nate Chinen
Nate Chinen may have been the last full-time jazz reviewer at any American newspaper. He says jazz hasn’t been in a better place since the ’60s — but the commercial infrastructure is broken.
How Women Survive the World: An Interview with Ingrid Rojas Contreras
To this day, when my mother is driving a car, she will only use the blinkers to indicate that she’s turning at the last second — just so that people behind her don’t know where she’s going.
