‘To Be Polite By Ignoring the Obvious’: Jess Row on Unpacking Whiteness in Literature By Morgan Jerkins Feature “I was looking for texts that seem to go the extra mile in hiding something — texts that almost seem to be begging to be interpreted in terms of what’s not being said.”
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’ By Zan Romanoff Feature Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
‘Nobody in This Book Is Going to Catch a Break’: Téa Obreht on “Inland” By Ryan Chapman Feature ‘The history of the West is a deeply turbulent one… that kept the living population in a constant state of unrest. I thought this constant state of unrest must be true for the dead as well.’
‘Victims Become This Object of Fascination… This Silent Symbol.’ By Jonny Auping Feature Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
‘The Survivor’s Edit’: Bassey Ikpi on Memory, Truth, and Living with Bipolar II By Naomi Elias Feature Bassey Ikpi discusses writing about mental illness. “I could count on the morning. It became the thing that existed without my input… without determining whether or not I was worthy of it.”
‘Horror Is a Soothing Genre … It’s Upfront About How Scary It Is To Be a Woman.’ By Laura Barcella Feature Sady Doyle discusses the connection she draws between society’s monstrous treatment of women and woman’s archetypal monstrosity.
‘We Live in an Atmosphere of General Inexorability’: An Interview with Jia Tolentino By Hope Reese Feature Jia Tolentino talks about what kinds of personalities thrive online, why she is suspicious of her own self-narrative, and the pervading sense that everything’s spiraling out of control.
Shapes of Native Nonfiction: ‘The Basket Isn’t a Metaphor, It’s an Example’ By Colin Dickey Feature The editors of “Shapes of Native Nonfiction” talk about the craft of writing, the politics of metaphor, and resisting the exploitation of trauma.
What Is Elizabeth Rush Reading? : Books on Antarctic Adventure, Ice, Motherhood By Dana Snitzky Commentary “I sometimes wonder if this continent of ice is begging for a different kind of story to be told about it.”
‘If an Animal Talks, I’m Sold’: An Interview with Ann and Jeff Vandermeer By Alan Scherstuhl Feature Ann and Jeff Vandermeer discuss talking animals, the weird/fantasy divide, and the ‘rate of fey’ as an organizing principle in their new anthology of classic fantasy.
Why Bugs Deserve Our Respect By Jessica Gross Feature Fruit flies helped us win six Nobel prizes in medicine. Architects have been inspired by termite hills. Ecologist Anne Sverdrup-Thygeson explains why bugs are so essential to the world we live in.
A Manson Murder Investigation 20 Years In the Making: ‘There Are Still Secrets’ By Zan Romanoff Feature ‘Everything that Manson did with his women was exactly what the CIA was trying to do with people without their knowledge, in the exact same time, at the exact same place.’
‘TV Has This Really Fraught Relationship with the Audience.’ By Jonny Auping Feature Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
‘Nothing Kept Me Up At Night the Way the Gorgon Stare Did.’ By Sam Jaffe Goldstein Feature The Gorgon Stare, a military drone-surveillance technology that can track multiple moving targets at once, is coming to a city near you.
‘The Underland Is a Deeply Human Realm’: Getting Down with Robert Macfarlane By Tobias Carroll Feature “I thought the underland would be — of all the landscape forms that have drawn me to explore them — the most uninhabited. This proved wildly incorrect.”
‘Brokenness and Holiness Really Go Together’: Darcey Steinke on Menopause By Jane Ratcliffe Feature Darcey Steinke says that most menopause memoirs “end with this come-to-Jesus moment of, ‘Then I accepted hormones.’ I’m not against it, but … I wanted to hear what it’s like for other women.”
‘They Happen To Be Our Neighbors Across the Span of a Century, But They’re Our Neighbors.’ By Adam Morgan Feature One hundred summers ago, black Chicagoans were terrorized by whites during the Red Summer. Poet Eve Ewing talks about reaching out to her neighbors across time in “1919.”
‘If Any of My Old Friends Are Reading This, It Is Okay Out Here.’ By Jacqueline Alnes Feature Amber Scorah talks about committing the one unforgiveable sin: believing, then not believing.
Reimagining Harper Lee’s Lost True Crime Novel: An Interview with Casey Cep By Adam Morgan Feature “Somewhere along the way it became very clear to me that I was writing the book she never would.”
‘The Home Is a Place as Wild as Any in the World.’ By Alex Madison Feature Chia-Chia Lin talks about the wildness of domestic spaces and writing her novel “The Unpassing” through the early months of motherhood.
Keeping the Focus on the People: An Interview with Joe Kloc By Aaron Gilbreath Feature It took eight years to write the story of Richardson Bay’s boat community, known as the anchor-outs.
‘Midwesterners Have Seen Themselves As Being in the Center of Everything.’ By Bridey Heing Feature In “The Heartland,” Kristin L. Hoganson says America’s Midwest has been more connected to global events than popular history allows — especially popular history as told in the Midwest.
United States of Conspiracy: An Interview with Anna Merlan By Rebecca McCarthy Feature “Most people in America believe in one conspiracy to some extent, but the far end of the pool … is this desire to show that you really do reject all knowable authority.”
Against Hustle: Jenny Odell Is Taking Her Time at the End of the World By Rebecca McCarthy Feature The attention economy is killing us and the planet. Artist and writer Jenny Odell talks about why slowing down could be the only way to survive.
‘I Don’t Think Those Feelings of Self-Doubt Ever Go Away.’ By Amy Brady Feature Susan Choi talks about feeling unsure of oneself, as a writer, as a performer — or as a victim — and about how her latest novel evolved in uncanny tandem with the real world.
‘I’m Always Writing Against This Idea That Denver’s a White Space.’ By Adam Morgan Feature Kali Fajardo-Anstine talks about her new short story collection “Sabrina & Corina,” her obsession with dualities, and Chicano and Indigenous history in Denver.
‘There’s Virtually No Conversation In Chicago … About the Aftershocks of the Violence.’ By Hope Reese Feature In “An American Summer,” journalist Alex Kotlowitz tries to report on gun deaths on Chicago’s South Side with the same attention to survivors, anniversaries, and aftershocks that is paid to mass shootings.
‘Craft Is My Belief System. My Obligation To Writing Is Religious.’ By Lily Meyer Feature Nathan Englander talks about the “super-American world” of Orthodox Judaism, Philip Roth’s funeral, and training himself to write his new novel “kaddish.com” while daydreaming.
Namwali Serpell on Doing the Responsible Thing — Writing an Irresponsible Novel By Tobias Carroll Feature “I joke that this is the great Zambian novel you didn’t know you were waiting for.”
Irvine Welsh on Brexit, Existential Panic, and His Latest ‘Trainspotting’ Sequel By Tobias Carroll Feature “The books from ‘Trainspotting’ onwards have been about deindustrialization … the cruel existential panic that we feel, in the sense that we don’t really know what we’re here for anymore.”
