In their own words, eight would-be Americans share their experiences — and the challenges they’ve faced amid the Trump administration’s crackdown on legal and unauthorized immigration.
interviews
Lindy West is Preaching to the Choir
Sara Fredman talks to author Lindy West on women and likability, the evolution of pop culture, and navigating conversations in a complex, messy world.
‘I Was Being Used in Slivers and Slices’: On Feminism at Odds With Evangelical Faith
“I wasn’t unified in my being. I wasn’t able to bring my whole self to the table,” says Cameron Dezen Hammon about her life as a worship leader for an evangelical megachurch.
‘Writing This Book Was a Weird Séance ’: An Interview With Deborah Levy
“If you have the depth, the surface can be as light as it’s possible to make it…I don’t mind that ‘Swimming Home’ is sometimes described as a ‘beach read’ — actually that’s a triumph.”
‘I Went Quiet…and That Allowed Me To Understand’: The Life of a Molecatcher
Marc Hamer discusses life, death, and the lost art of catching a mole.
Mathematics as a Cultural Force
Historian Amir Alexander on Euclidean geometry’s far-reaching effects.
‘To Be Polite By Ignoring the Obvious’: Jess Row on Unpacking Whiteness in Literature
“I was looking for texts that seem to go the extra mile in hiding something — texts that almost seem to be begging to be interpreted in terms of what’s not being said.”
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
‘Nobody in This Book Is Going to Catch a Break’: Téa Obreht on “Inland”
‘The history of the West is a deeply turbulent one… that kept the living population in a constant state of unrest. I thought this constant state of unrest must be true for the dead as well.’
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
