Tag: hollywood

“Gilliam does believe that the end of society may soon be upon us. The question for him is: What shape will the new one take?”

Svetlana Kitto recalls her 1980s childhood in Hollywood during the early years of the AIDS crisis.

With ‘Once Upon a Time… in Hollywood,’ Quentin Tarantino slakes his thirst for nostalgia while he plays god with another piece of history.

Harmony Holiday remembers her mother’s years of trauma-bonding in search of new love, after the death of her mercurial yet brilliant father.

What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?

Journalism now is a lot more fear and insecurity and a lot less corduroy and Robert Redford, but you’d never know it from what is projected.

Director Doug Liman and screenwriter John August look back on the production of their indie film Go, 20 years after its release.

The Hollywood establishment used to be dominated by old white men, but that’s changing fast.

Actresses are being lauded for pushing their supposed undesirability to the extreme, and it’s redefining how we see women.

At Vanity Fair, film critic K. Austin Collins explores the shaky “true story” of Green Book, the film by Peter Farrelly starring Viggo Mortensen and Mahershala Ali.

Howard Hughes used gossip, spies and money to control Hollywood’s women for nearly 60 years. Karina Longworth critically examines the Golden Age’s gossip to stop his false narratives from becoming our history.

Bradley Cooper’s new film is ultimately about the way commerce can ruin art, which is why he won’t answer the personal questions Taffy Brodesser-Akner asked him.

The invisible language of film permeates Christian Kracht’s “The Dead,” prose that is neutral and shot through with so much darkness, you occasionally can’t find the light.

Journalists who get screen time are most often men—even when the original story was told by a woman.

The untold story of two musicians who contributed to Guns N’ Roses’ early success.

The women of Hollywood are seizing this moment.

No other film conveys the madness or the fun of deadline journalism.

“How do I tell my kids that their dad just died? What are the words?”

From Patty Jenkins to Jordan Peele, the Hollywood Foreign Press Association’s omissions are telling.

When it came to gathering refugees, the waiting room of the U.S. consulate was probably the closest thing to Rick’s Café Américain.

We are finally taking sexual harassment and abuse seriously. Now what?

Monica Drake recalls a brush with fame, when a famous actress took an interest in making a movie from her novel.

The zombie movie is more than an easy scare. It’s also become an essential lens through which we can view society.

The 1979 summer camp comedy was Bill Murray’s breakout film. It also almost didn’t happen.

He works out twice a day, he remembers everyone he meets, he hopes you’re sleeping soundly and doing great!

Robert Kolker walks us through the $400 billion lawsuit brought by the creators of This Is Spinal Tap against the movie studios, but Spinal Tap fans will love the insider tidbits about the creation of the film.

How the White House advisor turned his talent for mediocre dealmaking into a passion to “weaponize film.”

“We have to get rid of the romantic part.”

In the Los Angeles Times, Jeffrey Fleishman profiles two young Angelenos trying not to break down as they try to break into show business.

Daniel Miller goes behind the scenes to report on the famed red carpet that graces the entrance to the Oscars. What you learn about the care, installation, and true color of this 50,000 square foot rug may just surprise you.