I think the look of the show is great. There was a bit of an adjustment for me. I had been living with these characters and this world since 1991, so I had close to twenty years of pictures in my head of what these characters looked like, and the banners and the castles, and […]
hollywood
The Secret Behind Pixar's Storytelling Process
Fast Company has an excerpt from Creativity, Inc., the book by Pixar co-founder Ed Catmull (with Amy Wallace), which goes inside the creative process at the studio. Catmull attributes much of their creative success to their internal process for continually refining stories. It includes meetings with the Braintrust, a group of executives, directors and other […]
Why Hollywood Will Never Look the Same Again on Film
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format […]
Longreads Best of 2013: Here Is What Happens After You Write a New York Times Story About Lindsay Lohan
Here Is What Happens When You Cast Lindsay Lohan in Your Movie Stephen Rodrick | New York Times Magazine | January 2013 | 31 minutes (7,752 words) Stephen Rodrick (@stephenrodrick) is a contributing writer for The New York Times Magazine, contributing editor for Men’s Journal and author of The Magical Stranger.
The Most Difficult Age to Be When You Work in Hollywood
“The Writer’s Guild of America has a term for my situation: They call it ‘The Gap.’ It’s the time period between when your years as a working writer end and your retirement begins. I actually have an excellent pension for when I finally retire. The Guild is a strong union and it has negotiated an […]
The Making of Citizen Kane
“I must admit that it was intended consciously as a social document. … [but] the storyteller’s first duty is to the story.” -From the 1991 documentary “The Complete Citizen Kane,” on the Orson Welles masterpiece. The film features interviews with Welles from 1960 and 1982, as well as an interview with New Yorker film critic Pauline Kael, […]
My Top 5 #Longreads on the Business of Film, Music and Books
Mark Armstrong (that’s not him above) is the founder of Longreads, and editorial director for Pocket. This past week’s Steven Soderbergh speech on “The State of the Cinema” isn’t as big a downer for film lovers as these choice quotes might have you believe: “Shouldn’t we be spending the time and resources alleviating suffering and helping […]
