This week, our editors recommend notable features and essays by Katie Barnes, Rachel Handler, Alex Hawkins, Lila Shapiro, and Raksha Vasudevan.
film
Every Language Everywhere All at Once
“Audiences love foreign TV and film. So do streamers. There’s just one little challenge.”
Nicolas Cage Can Explain It All
In an era when too many celebrity profiles either take place entirely over Zoom or vastly misapprehend what makes someone objectively interesting, Gabriella Paiella’s April cover story for GQ manages what seems the impossible: avoiding the pitfalls, commiting without caping, and leaving you with a very real sense of a man you thought you knew […]
The Power of the Still: The Photography Behind the Scenes
There’s an art and process to capturing iconic and marketable images from films. Director Jane Campion and her unit stills photographer Kirsty Griffin — along with David Lowery, Eric Zachanowich, Joachim Trier, and Christian Belgaux — talk about behind-the-scenes photography during the filming of The Power of the Dog. There’s just something about the eye […]
Keanu Reeves Knows the Secrets of the Universe
“Guy’s always working—sixty-eight movies in thirty-five years. Playing killing machines, doofuses, romantics, messiahs, and devils. But always Keanu. Which always means something more.”
The Untold Stories of Wes Studi
“Wes starring in films that have nothing to do with Native American heritage is something we acutely desire: to be allowed to play parts without having to authenticate our realness as Indians.”
The End of the Road
“Living in a van represented a new, glamorous ideal, unburdened from homeownership and a steady job — unmoored, even, from the physical world itself. If owning a home was no longer possible, there was endless space on Instagram.”
Youn Yuh-jung Comes to America
“On the set of Minari, she was an old Korean lady.” E. Alex Jung interviews Oscar nominee Youn Yuh-jung.
Il Maestro
Martin Scorsese on “content,” the films of Federico Fellini, and the art of cinema.
‘We Told You So’: Revisiting the Bleak, Pandemic-Filled World of 12 Monkeys, 25 Years Later
“Gilliam does believe that the end of society may soon be upon us. The question for him is: What shape will the new one take?”
