Rule one of freelance writing: accept rejection with grace.
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What We Save, What We Destroy: A Reading List on Difficult Heritage
The present we inhabit is shaped by the mixed legacies of the past.
We Use Language as a Spade
“Though the embryo was only seven weeks old, I loved it. I loved it and wanted it, and its life ended.”
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
Am I Writing About My Life, Or Selling Myself Out?
After people repeatedly recognize Shannon Keating and her girlfriend from a personal essay she published about a lesbian cruise, and in the midst of the furor over Natalie Beach’s essay about her friendship with Instagram influencer Caroline Calloway on The Cut, Keating wonders about the line between writer and influencer, and the ethics of writing […]
Shelved: Jeff Buckley’s Sketches for My Sweetheart the Drunk
The posthumous Buckley industry began with this problematic album, proof that the people who control a musician’s estate don’t always have his music in mind.
My Year on a Shrinking Island
Former baker Michael Mount explores the interplay of community, cookie dough, and changing terrain on Martha’s Vineyard
Perilous Passage
The true story of a Ukrainian father and son who became the first — and only — Soviet defectors to seek freedom in the West by crossing the icy Bering Strait.
‘A World Where Mothers Are Seen’
Vanessa Mártir introduces Writing the Mother Wound, a series of essays on mothering presented in collaboration with Writing our Lives and Longreads.
