Search Results for: tech

It’s Like This and Like That and Like What?

Death Row / Interscope Records, Photo illustration by Katie Kosma

Rebecca Schuman | Longreads | May 2018 | 11 minutes (2,912 words)

 

The ’90s Are Old is a Longreads series by Rebecca Schuman, wherein she unpacks the cultural legacy of a decade that refuses to age gracefully.

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In the entirety of 1990, exactly one hip-hop single made it to the top spot on the U.S. Billboard Hot 100. This was “Ice Ice Baby,” and the LP whence its dope melodies came, To the Extreme, also ruled the Billboard album charts for the final eight weeks of that year — knocking off the previous number one, another rap record, Please Hammer, Don’t Hurt ‘Em. (It turned out that if U were Vanilla Ice, U could, in fact, touch this.) As the nineties rush-rushed in, aching to break out of the previous decade’s noxious forcefield of Aqua Net, one thing was clear: American Top 40 radio was ready for hip hop — so long as it was squeaky clean, or, failing that, performed by a white guy with the wackest eyebrows in history.

By the end of the decade, the landscape had shifted almost beyond recognition. Synth-pop was the stuff of nostalgia nights; rock was emitting the first gurgle of its death rattle (which sounded like this); and what had heretofore been called “hardcore” hip hop was so ubiquitous in “mainstream” (read: white) culture that its ubiquity became a bit in Mike Judge’s 1999 cult classic Office Space.

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Searching for a Future Beyond Facebook

Longreads Pick
Source: Longreads
Published: May 1, 2018
Length: 8 minutes (2,206 words)

Searching for a Future Beyond Facebook

Mark Zuckerberg
Jose Luis Magana / AP Photo, Photo illustration by Katie Kosma

 Jacob Silverman | Longreads | May 2018 | 9 minutes (2,206 words)

 

 

For the better part of two decades, an important set of assumptions has underwritten our use of the internet. In exchange for being monitored — to what degree, many people still have no idea — we would receive free digital services. We would give up our privacy, but our data and our rights, unarticulated though they might be, would be respected. This is the simple bargain that drove the development of the social web and rewarded its pioneers — Facebook, Google, and the many apps and services they’ve swallowed up — with global user bases and multi-billion-dollar fortunes. Read more…

Born Again

Illustrations by Karen Barbour

Michelle Dean Topic | April 2017 | 13 minutes (3,100 words)

This story is featured in collaboration with Topic, a digital storytelling platform that delivers an original story to your inbox each and every week. Sign up for Topic’s newsletter now.

Candace Newmaker was 10 years old when she died in 2000. There are only a few pictures of her, and even fewer biographical details. Here is what we do know: she had dark brown hair and eyes, she liked dogs and horses, and she enjoyed arts and crafts. Candace had been a ward of the state of North Carolina since she was about 5 the daughter of a very young mother who hadn’t been able to hold her own life together, and who had lost her very young children to the Department of Children and Family Services. Jeane Newmaker, a kindly nurse-practitioner who was single and in her early 40s, found Candace in the system when she was 6 and adopted her in 1996. It’s not clear exactly when things got difficult between Newmaker and her adopted daughter. Maybe things were difficult from the start. (Newmaker declined to comment for this article; this account is based on contemporaneous press reports in the Denver Post and the Rocky Mountain News.) Candace, one of the girl’s therapists later said, could be sweet, but she could also be “mean.” One therapist said it just seemed like Candace had a “defense mechanism for being through so many places” — that “it was like having the average 18-year-old adolescent in your house,” one who was trapped in a 10-year-old’s body. Read more…

Little Sunfish: The Robot That Could

"Little sunfish," co-developed by the debt-strapped Japanese nuclear and electronics company and the International Research Institute for Nuclear Decommissioning, sits ready for deployment at the badly-damaged Unit 3 primary containment vessel to assess its damage and locate parts of melted fuel, believed to be submerged under highly contaminated water. (AP Photo/Shuji Kajiyama)

How can you create a plan to clean up a nuclear reactor meltdown if you have no idea what you’re dealing with because it’s far too dangerous to go inside? At Wired, Vince Beiser reports on the  little robot that bravely went where no human could: to document the extent of the damage at the Fukushima Daiichi nuclear power plant so that Japanese scientists can figure out how to clean it up.

Human beings couldn’t go into the heart of Fukushima’s reactors to find the missing fuel, though—at least not without absorbing a lethal dose of radiation. The job would have to be done by robots. But no robot had ever carried out such a mission before. Many had already tried and failed. Debris tripped them up. Yard-thick concrete walls threatened to block their wireless signals. Radiation fouled up their microprocessors and camera components. And so it fell to Matsuzaki, a shy-eyed , 41-year-old senior scientist with Toshiba’s nuclear technology branch, to help build a machine that wouldn’t end up as another one of the robot corpses already littering the reactors.

The Fukushima cleanup is a project far bigger and more complex than those of even the world’s worst previous nuclear catastrophes. Chernobyl was literally covered up: The Soviets simply encased the whole thing in concrete and steel. Three Mile Island was tiny by comparison. Only a single reactor melted down, and none of its fuel escaped. “Fukushima is orders of magnitude more difficult,” says Lake Barrett, an American who oversaw the cleanup of Three Mile Island and who signed on as a consultant to Tepco and the Japanese government in 2013.

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When Staying Clean Isn’t an Option

Lance Armstrong, right, follows teammate Floyd Landis, up the La Croix pass during the 2004 Tour de France. (Bernard Papon/L'Equipe via AP Pool, File)

Patrick Redford‘s in-depth look at Lance Armstrong in Deadspin is a blow-by-blow look at the history of doping in professional cycling generally, and at Armstrong’s not-insignificant role in spreading it. Through interviews and court filings, he shows us just how necessary doping felt to cyclists — and how heartbreaking Armstrong’s insistence on doping was for some of the athletes who were drawn into his ambit in search of professional success:

Dave Zabriskie joined USPS in 2001, and he later wrote in his USADA affidavit that he began to ride bikes competitively as a refuge from a “difficult home life” resulting in part from his father struggling with addiction. He vowed “never to take drugs” after his father died. In 2003, Bruyneel and del Moral called Zabriskie and Michael Barry for a meeting at a Girona cafe, where they brought him EPO and made it clear that the two would have to join the rest of the team on the program. Zabriskie said he felt cornered, but eventually he acceded to keep his cycling career alive. It caused him to have a breakdown.

Armstrong’s program wasn’t just a highly-organized system of doping and training, it was also a highly-organized system of evading detection:

Armstrong’s performance was scrutinized and investigated by anti-doping authorities and the European press, but no matter how loudly he was accused of cheating, Armstrong never technically failed a drug test in his career. According to USADA’s groundbreaking 2012 investigation, that was due in large part to a coordinated effort to dodge drug testers. Hincapie says he warned Armstrong at a race in Spain that drug officials were coming to test him right after Armstrong had just taken testosterone, and Armstrong evaded them by dropping out of the race. Hamilton also notes that the UCI simply didn’t have an effective whereabouts program, and USPS riders regularly hid from testers or refused to appear. When testers did show up, riders would usually be tipped off beforehand and would take a saline injection to normalize their blood values.

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Is Your Job Lynchian, or Is It More Kafkaesque?

Getty/CSA

 

Rachel Paige King | Longreads | April 2018 | 14 minutes (3,753 words)

 

When Richard Bolles, Episcopal minister and author of What Color Is Your Parachute?, died last year at age 90, the New York Times explained his best-selling career guide’s success this way: “‘Parachute’ had come along at the beginning of a historic shift, when corporate strategies like outsourcing, subcontracting, downsizing and mergers were starting to erode traditional notions of job security. The idea that you could stay in one job for a lifetime began coming undone in the early 1970s, and ‘Parachute’s’ perennial sales reflected, at least in part, this new reality.”

Given the tumultuous climate for job seekers over the last half-century — Bolles’s book originally came out in 1970 — the various editions of Parachute have, unsurprisingly, sold a lot of copies (roughly 10 million). In the 2005 edition, for example, Bolles demonstrates why generations of job seekers found his work helpful, with its combination of straight talk and spiritual uplift. For example, he writes, “The typical job in the new millennium is best viewed as a temp job …You must always be mentally prepared to go job-hunting again, at the drop of a hat.” Although the various editions were constantly being updated and revised, we see Bolles (in the mid-aughts at least) spinning the parlous state of job-hunting as not just an inevitable part of modern business but an opportunity for personal transformation. He asks workers to stop expecting not only security, but also stability or even any kind of appreciation for their efforts. At the same time, he presents the world of work as a thrilling adventure (or at the very least a fun challenge) involving short-term gigs with steep learning curves and workplaces characterized by interpersonal drama and managerial indifference to personal struggles. Still, he appears to believe that finding a “dream job” is possible if you stop hoping for any kind of external reward. For Bolles, the job seeker should not be looking not for a single position or even for a traditional career, but for a vocation. Secular people sometimes forget that that word was originally synonymous with the concept of a religious calling, but Bolles, with his seminary training, most likely never did.
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The Known Unknown: Tales of the Yucca Man

Photo by Ken Layne

Ken LayneDesert Oracle | Winter 2015 | 11 minutes (2,903 words)

The story you’ll hear most often goes like this: There’s a young Marine on guard duty in some far-off corner of the massive Twentynine Palms desert training base. He hears an awful sound in the dark, something like a growl. Then, the breathing, coming from one side of his lonesome little guard booth and now from the other.

It’s circling him.

He steps out into the dark, his sidearm drawn. There it stands, eight feet tall, an unbearable stench from its hairy body, the eyes glowing like red coals.

Sometimes, the Marine is knocked unconscious by the beast and found hours later by the next shift. One version occurs at the old rifle range, where the watchman — also armed with a rifle — wakes from the assault to find his weapon bent in half.

Since the 1970s, when the Mojave Desert base expanded from its World War II encampment, there have been regular reports of new recruits terrorized by both the Yucca Man and pranks inspired by the tales. But most sightings of the spectral creature come from campers and hikers at Joshua Tree National Park. Tents have been opened in the night by stinking monstrosities, and there is an occasional large footprint or blurry photograph submitted as evidence. A snapshot from the Hidden Valley campground has made the rounds for a decade now: The figure bounding over the boulders looks much like the iconic Bigfoot from the Patterson–Gimlin film of 1967.

The-Mysterious-Legend-Of-The-Yucca-Man

A photograph of the alleged Yucca Man from the 1990s.

Since the 1960s, when tales of Yucca Man and his desert cohorts were commonly reported by Southern California newspapers and television stations, amateur “cryptozoologists” and Bigfoot researchers have analyzed the blurry pictures and measured the prints in the sand, all in the effort to document a flesh-and-blood creature they believe exists alongside everyday mammals such as bears, coyotes, and humans.

But the Natives who lived in California long before European colonization considered these creatures to be supernatural entities, with names that often translated to “hairy devils.” They took care to avoid the gloomy spots where the devils were often seen.

The Tongva People living around the Santa Ana River called the devils’ hideout east of the river’s source in the San Bernardino Mountains the Camp of the Takwis, pronounced the same as the Tahquitz known to the Cahuilla of Agua Caliente. According to John Reed Swanton’s The Indian Tribes of North America, “Takwis” also survives as a site name at the head of the Santa Margarita River, at Temecula Creek. Throughout Palm Springs and the Coachella Valley, you’ll see it spelled Tahquitz — the angry specter’s unhappy home in the region is the cursed Tahquitz Canyon.

Sometimes the Takwis or Tahquitz played a role in creation stories, as in Cahuilla culture. Other times the creature was an omen, or simply something weird in the wilderness that should be avoided. To the Cahuilla, the Tahquitz could be the “original shaman” and a murderous monstrosity that collected victims from Tahquitz Rock (or Lily Rock). “Tahquitz has also been said to manifest as a large green fireball moving through the night sky,” the website Weird California reports.

That coastal and desert Indians should know the same creature is not in itself cause for skepticism: Under various names and dressed in myriad traditions, Yucca Man has been reported in the wilder parts of Southern California as long as people have lived here.

In Fontana, that hard and wind-blown Inland Empire town, there was a famed racetrack north of Foothill Boulevard called Mickey Thompson’s Fontana Dragway. From 1955 to the dragway’s closure in 1972 following a gruesome series of fatal crashes, spectators repeatedly saw something they called the ‘Speedway Monster.’ Assumed to be a “wild man” resident of the foothills of the nearby San Bernardino Mountains, it had the habit of crossing the rural land at the dragway’s edge, during car races that produced horrific noise.

In the new suburbs of Antelope Valley, encounters with the Mojave Sasquatch reached epidemic levels from the late 1960s through late 1970s, as new housing developments in Lancaster and Palmdale pushed into the wild desert and secret technology was tested at Edwards Air Force Base and Lockheed’s notorious Skunk Works facility.

Under various names and dressed in myriad traditions, Yucca Man has been reported in the wilder parts of Southern California as long as people have lived here.

The Antelope Valley Daily Ledger-Gazette described the common features of the eyewitness reports in a staff report from June 1973 beneath the headline “Bigfoot Surfaces Again In Palmdale, Nine-Mile Canyon.”

According to reporter Chuck Wheeler, “the creature likes to run around houses and leaving footprints. That is its MO in the East Lancaster area where footprints were found around several houses recently. One woman reported that the creature ran around her house and scratched at the door. A small boy sent to tell his father supper was ready was found hours later crying near the corral. When asked what happened to him, he answered that a big, furry man would not let him pass.”

Southern California encounters were common enough in the 1970s to keep multiple Bigfoot-investigation groups busy taking reports. In March of 1973, a babysitter and three Marines — separately, we presume — reported seeing the sasquatch in Lancaster. Nerves were frayed to the point that two separate vigilante groups searching for the monster nearly killed each other two months later, according to the files of the Bigfoot Field Researchers Organization.

In May 1973, a search party in Lancaster attempting to follow up on several ‘Big Foot’ reports was forced to take cover when another party on the same sort of search panicked and started shooting when they thought they were being approached by a large creature. Fortunately, no one was injured.

In recent years, the hair-covered red-eyed “Sierra Highway Devil” has been repeatedly spotted by terrified drivers on Highway 14 near the junction with Pearblossom Highway, always at night, always running along or across the road.

The strangest tales come from Edwards AFB itself. The desert base adjoins the massive Rogers Dry Lake, with its miles of smooth desert runways, and is famed for its “Right Stuff” test pilots and landings of NASA’s space shuttles. There is significant subterranean infrastructure at Edwards AFB, with the personnel and technology required to keep secret aircraft a secret. Security cameras were always pointed at sensitive areas. According to persistent stories from Edwards, those cameras repeatedly captured images of desert sasquatch moving through the tunnels by night. Entire families of the hairy monsters apparently traveled the base’s buildings and corridors, appearing and disappearing at will, and to the bewilderment of base police sent chasing after the phantasms.

With the report of Edwards Bobbie Ann Slate, that tireless Bigfoot researcher, collected this report from the base policeman, who was patrolling the old “sled track” section of the base where the notorious Thelemite wizard and Jet Propulsion Laboratory founder Jack Parsons tried out his rockets, and where Nazi V-2s had once been tested on a specially built railroad:

Heading back to the main base, I noticed maybe 200-300 yards to my left, these large blue eyes. I do a lot of night hunting and it was strange — they were larger than anything I’d ever seen before. The [blue eyes] had to be about four inches apart and seven feet off the ground. I stopped the truck and sat there watching them. It was too dark to see any body shape to the thing. The blue glows proceeded toward my truck at a right angle for about 100 yards and then stopped.

As an overpowering stench filled the desert air, Sgt. House saw the huge blue eyes again, now just 50 yards away. “The movement of the eyes was extremely fast. Another thing that bothered me was that they didn’t bob up and down. It was like two lights on a wire moving from one point to another.” A radio call gave him a good reason to drive away fast.

Because of the ribbing he suffered after filing a report, others in the squadron refrained from making formal statements about their encounters.

But the encounters didn’t end. Not until 2009 would Edwards Air Force Base officially acknowledge the many incidents with “Blue Eyes” and other strange phenomena.

The hair-covered red-eyed ‘Sierra Highway Devil’ has been repeatedly spotted by terrified drivers on Highway 14 near the junction with Pearblossom Highway, always at night, always running along or across the road.

According to a 2009  article in the base newsletter, Inside Edwards, the entity known as “Blue Eyes” was much discussed at a reunion of the 6510th Air Police Squadron officers who worked on base between 1973 and 1979, known as the 6510th Desert Rats.

“Attendees traded memories of their bizarre experiences on patrol such as seeing ‘Blue Eyes,’ the local version of a Yeti near South Base or ‘Marvin of the Mojave,’ a ghost who could be heard but not seen and left size-10 sneaker imprints in the sand,” Lisa Camplin of the 95th Security Forces Squadron wrote in the official Edwards newsletter.

The now-retired Edwards guards also recalled “observing unexplainable objects in the skies [and] seeing disappearing tail lights on the dry lake beds.”

The Desert Rats’ motto, shared with the Air Force Test Center for which it served, was Ad Inexplorata, or, “Toward the Unknown.”

As with the padres’ old stories of “hairy monsters” living at a camp of devils along the Santa Ana and Santa Margarita rivers, written accounts of monsters in the Antelope Valley date back to the Spanish colonial era. Horace Bell, famed for his role in the frontier vigilante group called the Los Angeles Rangers, later wrote two influential history books about life in mid-19th century California. One of those, On the Old West Coast: Being Further Reminiscences of a Ranger, tells of a shadowy winged beast at Elizabeth Lake, that deep-water hole where the Sierra Pelona Mountains meet Antelope Valley. The “sag pond” was created by the San Andreas Fault, and successive generations have branded this generally welcome geographic feature—ample fresh water in the desert!—as a cursed place. Supposedly given its old Spanish name by no less a figure than Junípero Serra himself, the Laguna del Diablo held an awful creature, a beast that would fly in shadow form over the rancho from the 1830s—when early California legislator Pedro Carrillo (grandfather of actor Leo Carrillo) abandoned the place following a mysterious fire and general bad feelings.

The winged wraith flew over the hacienda of Don Chico Vasquez, a man unimpressed by the folklore surrounding the lake. It was his foremen who alerted the Don to the beast thrashing in the mud on the cursed lake’s shore. He saw it, too, but the creature vanished — whether into the lake or into the sky or into thin air, they never knew. Cattle and horses began disappearing shortly thereafter, with the eventual discovery of several carcasses leading to the belief that the devil in the lake had grown hungry for meat. As with the “hairy monsters,” the winged lake beast also assaulted the rancho with its vile stench.

Don Chico Vasquez had enough, selling cheap to Miguel Leonis, the “Big Basque” known as the “King of Calabasas.” Leonis not only proposed to capture the lake monster that had bedeviled his Indian, Spanish and American predecessors, but he also planned to make money on the deal. The Big Basque contracted with the Sells Brothers Circus, which operated across the country from its base in Columbus, Ohio, from 1862 to 1895. According to On the Old West Coast, Leonis’ contract with the Sells Brothers would have made him significantly richer, had the flying lake beast been captured:

That if the python is such as the party of the first part describes it to be, and if the party of the first part succeeds in taking it alive, then the party of the second part agrees to pay the party of the first part the sum of $20,000.

Instead, the winged snake flew east after being shot by the Big Basque’s hunting party. According to legend, this was the same “dragon” killed outside Tombstone, Arizona, in 1890. But evidence of the monstrosity’s corpse has proved elusive, and Elizabeth Lake remains “haunted” to this day.

While Yucca Man and its cohorts are often described as huge, hair-covered humanoids, there are nearly as many reports of shadow beasts lacking any real definition beyond their brilliant glowing eyes — often red, sometimes blue as in the Edwards AFB reports. Such brazenly paranormal entities have much in common with England’s “Owlman” and West Virginia’s “Mothman” — or the Mojave Desert’s own “Cement Monster.”

As with the ‘hairy monsters,’ the winged lake beast also assaulted the rancho with its vile stench.

Anyone who has taken the scenic drive on Highway 18 from the West Mojave up to Big Bear Lake has driven past the huge concrete mine eating into the mountainside and national forest. Now owned by the Mitsubishi Cement Corporation and surrounded by security fencing, there was a time when many of the mine’s graded roads could be easily accessed from the two-lane highway.

In March 1988, two U.S. Marines returning from a day of snow skiing at Big Bear encountered the red-eyed shadow giant and pursued it into the strip mine. The former Marine, Ken Fox, sent his report of the incident to sasquatch researcher Douglas E. Trapp in Texas.

“From the left side of the road something very large seemed to stand up on two legs and run across the road,” Fox wrote. “The bottom half looked human, covered with hair. The top half wasn’t very visible, but appeared monsterish, scary in other words. The headlights only got the bottom half, and the damn thing ran out about 150 feet in front of us. It made it across the road in three strides. I distinctively remember seeing the arms pumping back and forth just like any of us would do if sprinting across the road in front of a car. It appeared to be 8 feet tall.”

What was it? Ken Fox’s buddy recognized it immediately: “It’s the Cement Monster! After him!” They briefly pursued, but having no luck continued back to base at Twentynine Palms. If the cement mine is still haunted by this monster, it is considerably more difficult for people to access the cuts in the mountainside today.

This transition zone between the transverse mountain ranges and the High Desert is rich with reports of similar monsters, from the beast seen as recently as 2012 at Devil’s Punchbowl to the sasquatch stalking hikers at Big Rock Canyon.

Yucca Man, too, is connected to these immense mountains via the Little San Bernardino range that runs from Joshua Tree National Park westward into the proposed Sand-To-Snow National Monument up to San Gorgonio and Barton Flats —generations of summer-camp kids have suffered sleepless nights as a diabolic forest monster lurked just beyond the cabins.

The harsh, hot badlands that comprise much of Anza-Borrego State Park are home to many strange and terrible stories of the creature that has been called “The Missing Link” and the “Borrego Sandman.” The Sandman has been seen by 20th-century gold hunters and rockhounds and is most often described as being an enormous primate with whitish fur and glowing red eyes.

The Missing Link sasquatch of Deadman’s Hole is reportedly a mass murderer.

Once the Gold Rush reached Southern California’s mountains and deserts in the later 1800s, prospectors and bandits quickly made the area home. Discoveries of gold at Julian and in the desert to the east brought many hopeful miners to the scorching San Diego County desert, and many stagecoaches loaded with suspicious characters. One of them, Peg Leg Smith, claimed to find and then lose a “mine” near the Salton Sea where gold nuggets could be picked up off the ground. And a couple of characters from Julian, Edward Dean and Charles Cox, claimed to have shot a sasquatch dead. An 1878 article in the San Diego Daily Transcript reported that the men had found and then killed the monster at Deadman’s Hole, northeast of Warner Ranch. Delivery of the mysterious creature’s corpse was promised, but it never appeared in San Diego. More than a century later, a Daily Transcript reporter named Herbert Lockwood went digging for the old story and found it appeared in an 1878 issue dated April 1.

While Yucca Man and its cohorts are often described as huge, hair-covered humanoids, there are nearly as many reports of shadow beasts lacking any real definition beyond their brilliant glowing eyes.

It was March 1876 when a more credible report appeared in the San Diego Union. A man named Turner Helm claimed he saw a “missing link” near Warner’s Ranch (four miles south of present-day Warner Springs). Described as a bear-like giant with a human face, the report generated great interest because of the many unsolved murders at Deadman’s Hole, then a water stop on the Butterfield stage line.

The bodies had been piling up at the stagecoach stop’s waterhole for two decades, with the victims including a French-Basque shepherd, several dubious individuals on the run from the law or creditors, and a wealthy San Franciscan named William Blair.

Many of the victims were found with bruised and broken necks, their money or gold untouched. The last unsolved murder at the waterhole dates to 1922, when again a strangled victim was found there, 64 years after the first recorded murders at the hole.

Deadman’s Hole — “Deadman Hole” on modern maps — is located in a grove of live oaks about 15 yards east of California State Highway 79, an 8-mile drive up from today’s Warner Springs, just southeast of the place called Takwi at the headwaters of the Santa Margarita River.

The visitor to the Deadman’s Hole of today should look for the small, plainly lettered sign that reads “U.S. Navy Remote Training Area,” at an unmarked crossroads just before Sunshine Summit. As at Edwards and Twentynine Palms, here the Marines train side-by-side with the elusive sasquatch of Southern California’s wild lands.

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This article first appeared in the fourth issue of Desert Oracle, the quarterly print magazine edited and designed by Ken Layne out of Joshua Tree, California. 

Finding the Soundtrack to My Desert Life

Photo courtesy the author, notes via Shutterstock

Aaron Gilbreath | Longreads | April 2018 | 30 minutes (7,571 words)

After I transferred from the university in Phoenix in late 1995, I kept myself in motion so compulsively that I barely got to know my new town. I biked to class. I hiked after class. I ditched class to hike during the week and drove all over Arizona’s rugged southeastern corner to hike the whole weekend. Half a year passed during which I spent as little time in my sad, lonely apartment as possible. I didn’t know anybody in Tucson, and I didn’t want to — not yet. My previous friendships had only helped me turn myself into a pothead. And yet I couldn’t stand to be alone and sit still either. Struggling with my isolation and anxiety about life, I tried to work through my twitchy misdirection in the border region’s dry mountain forests and lowland deserts, taking advantage of the long highways that gave me time for silent contemplation at 75 miles per hour.

Madera Canyon in the Santa Rita Mountains, Sycamore Canyon in the Pajarito Mountains — in those first Tucson months, I saw more of this rugged landscape than many University of Arizona students did in four years of college, yet I never really saw my new city for what it was, because I didn’t take the time. I only saw the land around it.

***

I was restless at age 20, lost, searching for something beyond my reach and always beyond my understanding, some cosmic insight and career path that Mother Nature’s vast deserts seemed capable of offering in a way cities could not. I’d smoked too much weed during the previous three years, and I was trying to quit in order to find my calling. Sitting still meant dealing with temptation; hiking kept me on track. I read a lot of ecology and nature books back then, and what compounded my avoidance was my belief that the wilderness held the answers to all of humanity’s questions — from the meaning of life to cures for cancer to an objective sense of right and wrong. I still believe in wild nature, but in my young, confused Thoreauvian worldview, urban areas were cancerous “man-made” places to escape, not savor, so I fled Tucson every chance I got, just as I had fled Phoenix the year before.

Phoenix was bland. It had a Taco Bell personality. Tucson had a singular, authentically Sonoran Desert character that evolved from its origin as a military outpost in Spain’s old northern territory, then developed in the isolation resulting from Phoenicians’ dismissal of the city as a backwater. People nicknamed it the Old Pueblo. Even before I moved there, I could see the Old Pueblo’s superiority. Prickly pear cactus grew as tall as trees. Roadrunners climbed ornamental palo verdes in the middle of town, and the lonely howl of passing trains rang throughout the night. Many streets had no sidewalks, just as many houses had no lawns. The plaster on old buildings peeled to reveal straw in the adobe bricks underneath. It was as if the city was letting you see who it really was.

Phoenix looked as engineered as Las Vegas, or worse, like bad cosmetic surgery. Central Tucson looked like an extension of the desert, natural and spacious and endearingly shaggy. I could see this when I arrived, but my philosophical views let me rationalize my unwillingness to really appreciate it; it was a city, natural-looking or not. Only when I discovered The Shadow of Your Smile, an album by a band called Friends of Dean Martinez did I finally quit running long enough to find something to value about urban Arizona, besides Mexican food and live music. I’d learned to use cities as basecamps for outdoor excursions. This instrumental steel guitar band helped me stay put, because its cinematic cowboy lounge music matched the personality of this Spanish colonial city. When I started looking at its beauty as equal to that of wildlands, I not only started feeling at home in my city, but also in my own body, and I found my sense of direction.
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Earning Our Place on the Planet: An Interview with adrienne maree brown

Gant Studios

 

Justin Scott Campbell | Longreads | April 2018 | 19 minutes (5,357 words)

 

When I was first introduced to the work of adrienne maree brown, it was through fiction. A mentor at the time suggested I read Octavia’s Brood: Science Fiction Stories from Social Justice Movements (AK Press, 2015), a science fiction anthology co-edited by adrienne and the activist Walidah Imarisha. Their goal was to produce a collection of “Visionary Fiction” written by social justice organizers; the grounding principle of their collaboration was the idea that “all organizing is science fiction.”

In that project, adrienne asked activists to imagine possible future worlds; in her next project, she’s asked her readers to imagine a future for the only possible world: this one.

The one that’s dying.
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