After a recent trip to Myanmar, Alice Driver considers the ever-present dangers for journalists there and in Mexico, where she lives.
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No Journalist Should Have to Know How to Survive in Prison
After a recent trip to Myanmar, Alice Driver considers the ever-present dangers for journalists there and in Mexico, where she lives.
Most Women In Publishing Don’t Have The Luxury Of Being Unlikable
An excerpt of Manjula Martin’s essay anthology, Scratch: Writers, Money, and the Art of Making a Living. Gould addresses one of the many double standards in publishing: women authors must be “nice,” accommodating and virtually boundary-less, while men authors suffer no consequences for being real–or even rude.
The Lasting Effects of the Lolita Complex
Lacy Warner examines the downward turn of actress Dominique Swain’s career, and how the trouble began the moment she grew up.
The New Feeling
When Eleanor takes a break from reading the news, her laptop goes missing. Full of self-abnegation, she asks Wallace Shawn for advice.
Walter Mosley, The Art of Fiction No. 234
A prolific writer of fifty-four diverse books, and widely known for his Easy Rawlins crime series, Walter Mosley talks with The Paris Review about race, creativity, the book publishing industry, the confines of genre and his three decades depicting Black American life.
An Immoderate Novel for an Immoderate Season: An Interview with Olivia Laing
Olivia Laing’s new novel, “Crudo,” is a fictionalized account of the summer of 2017, written in real time by Laing — from the perspective of Kathy Acker.
‘What Would Social Media Be Like As the World Is Ending?’
In Mark Doten’s “Trump Sky Alpha,” a journalist who has survived Trump’s nuclear apocalypse gets an assignment from what’s left of the New York Times Magazine: find out what people were tweeting as the bombs fell.
Your Best Work Comes from Scaring Yourself
Essayist Chelsea Hodson had to give herself permission to be uncomfortable.
Lean On
A declaration of dependence, excerpted from Briallen Hopper’s new essay collection.
