When you don’t need to worry about the big things, you can start obsessing over the small ones.
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Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let cliché steer us in a certain direction, force us to say not quite what we mean…”
‘In a Marriage, You Grow Around Each Other’: An Interview with Tessa Hadley
Tessa Hadley on gaining the sense of authority she needed to write fiction, the authors whose work opens the door for her to write, and the way we are formed by our connections with other people.
Dawn of Dianetics: L. Ron Hubbard, John W. Campbell, and the Origins of Scientology
Read an excerpt adapted from Alec Nevala-Lee’s book, Astounding.
Punk Poet Eileen Myles on Combating Trump, Capitalism With Art
A profile of punk poet Eileen Myles, who has a new memoir out, Afterglow, and whose first autobiographical novel, Cool for You, has recently been re-released with an introduction by I Love Dick author Chris Kraus. Myles (who prefers gender-neutral pronouns) has been publishing since the 70s, but has lately been experiencing a new wave […]
If the Rich Really Want To ‘Do Good,’ They Should Become Class Traitors Like FDR
“Winners Take All” is an indictment of the insular, Disneyfied world of Ted Talks, “thought leaders” and philanthropy as self-help for rich people. But does it go far enough?
Radhika Jones, Meet Condescending and Nasty
I mean, Condé Nast. Meet Condé Nast.
We Have Always Lived in the House
In the face of tragic loss, Victoria Comella searches for the home she left behind, only to find it seventeen years later in the last place she expected.
We Have Always Lived in the House
In the face of tragic loss, Victoria Comella searches for the home she left behind, only to find it seventeen years later in the last place she expected.
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
