Search Results for: publishing

Wives, Queens, and Other Comedy Heroes: A Reading List

(Rex Features via AP Images)

Honestly, I thought I was handling the Trump presidency okay. At least I wasn’t crying every day. I realize that not crying every day isn’t much of a litmus test. But when Trump codified his transgender military ban, I could no longer deny that I was struggling in other subtle and sinister ways: “I have to sleep more than nine hours a day or I cannot function physically,” or “My finances are shot because I don’t have the will to work and provide for a future that may or may not come to fruition.”

Of course, this is what fascists want for someone like me. They want me fatigued, struggling mentally, and hopeless. They don’t want me alive. Logically then, I should fight really, really, hard to thrive. I am trying, when I sit here to write for the first time in almost two months. I am trying, whenever I bring myself to get out of bed before noon, when I cook for myself. I am trying to imagine a fascism-free future. I am trying to imagine a future where evangelical Christians don’t take time out of serving the poor to disparage and damn the marginalized and their allies. I document the moments I laugh the loudest. I try to be honest with myself and with the people I care for.

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The End of ‘Rolling Stone’ As We Know It

33-year-old editor and publisher Jann Wenner at the 1979 relaunch of 'Look' magazine, which would last only a year. (AP Photo/Suzanne Vlamis)

In the end, Jann Wenner was always going to sell Rolling Stone. The current timing is certainly unprompted and a bit of a surprise — Wenner, along with his son Gus, the president and chief operating officer of Wenner Media, announced this week the magazine is now open for bids — but there had been indications in recent years that the once groundbreaking magazine would soon be top edited by someone other than Wenner.

Wenner has passed on opportunities to sell Rolling Stone in the past, including an offer of $500 million that he turned down two decades ago. But in 2017, the timing was too good to pass up. This year is the 50th anniversary of Rolling Stone‘s founding, and not only is the occasion being marked with an HBO documentary co-directed by Alex Gibney, Knopf is publishing the first major Wenner biography this fall, written by Joe Hagan. (Full disclosure: I fact-checked the book.)

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When Op-Eds Relitigate Facts

Bret Stephens’s first Op-Ed column for The New York Times.

What year were we taught the difference between facts and opinions in grade school? Was it an election year?

To review: The bar for an opinion is low. The bar for a fact is higher. Statements of fact need to be verifiable, substantiated, and proven. An opinion doesn’t need to meet any standards at all. The bar for what constitutes an opinion — sans corroboration, sans evidence, sans proof — is, indeed, low. The bar for who will listen to it is somewhere else.

A published opinion doesn’t need to meet any particular standard, either, other than an editor deeming an opinion piece worthy of publication. In opinion journalism, the publisher sets the bar. And no publisher’s bar placement comes under more scrutiny than The New York Times’.

At Splinter, David Uberti asks: “Who Is The New York Times‘ Woeful Opinion Section Even For?” If the paper of record is to remain any kind of standard-bearer in our current political moment, what should its opinion section look like? How rigorous should its standards be? Uberti advocates for raising the bar, preferably one or two notches above the denial of facts that have been painstakingly reported on the other side of the Times‘ news-opinion firewall:

In his initial column, in late April, Stephens questioned the predictions about the effects of climate change that the Times has reported on extensively. This slickly branded “climate agnostic” approach stuck a finger in the eye of both the Times’s readership and its newsroom. It risked mimicking the pundit-reporter dynamic seen at CNN, where in-house bloviators are paid to spout opinions that at times directly contradict the network’s own news reporting. Bennet defended the column as part of a “free exchange of ideas,” in what Washington Post media critic Erik Wemple described as a “Boilerplate Kumbaya Response to Public Outrage.”

The op-ed page—opposite of the editorial page—was unveiled by the Times in 1970 to foster a true “conflict of ideas,” as onetime Editorial Page Editor John B. Oakes put it. Points of view clashing with the Times’ institutional perspective or biases would be especially welcome. Names floated as potential contributors ranged from Communists to members of the John Birch Society.

“They really wanted diversity when they came out—they really prized it,” said University of Maine media scholar Michael Socolow, who authored a 2010 paper on the origins of the op-ed page. Its debut contributors included a staff column on the need for super-sonic air travel; a Chinese novelist describing Beijing during the Cultural Revolution; a political scientist and former LBJ aide analyzing U.S. policy in Asia; and a New Republic contributing editor slamming Vice President Spiro Agnew. It was a radical expansion of the Times’s opinion offerings that other newspapers soon emulated, and it hasn’t fundamentally changed since then besides expanded publishing space and formats online.

“In general, we’re looking to challenge our own and our readers’ assumptions, and, we hope, put people who disagree on important questions into conversation with each other in order to sharpen everyone’s thinking,” Bennet wrote to Splinter.

Some recent attempts to do so, however, seemed to trade intellectual rigor or true diversity for the appearance thereof.

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Eileen Myles: There’s No Escaping History

Eileen Myles attends the annual Edinburgh International Book Festival at Charlotte Square Gardens on August 23, 2017 in Edinburgh, Scotland. (Photo by Roberto Ricciuti/Getty Images)

At Rolling Stone, Helena Fitzgerald profiles punk poet and 1992 write-in Presidential candidate Eileen Myles. Myles’s new memoir, Afterglow, was released this week, and their first autobiographical novel, Cool for You, was recently re-released and included an introduction by I Love Dick author Chris Kraus.

Myles (who prefers gender-neutral pronouns) has been publishing since the 70s, but has lately experienced a new wave of popularity, gathering new young fans in part because of their Twitter presence and also the character inspired by them on Transparent.

Among other things, Myles talks with Fitzgerald about the importance right now of poetry and art as forms of resistance under the current U.S. presidential administration. Interestingly, though, Myles points out that what’s been happening really isn’t all that new.

In this current moment, the feeling that we’re facing an avalanche, that we might be destroyed, is hard to ignore. When prompted to speak about art in the current political moment, Myles says: “You know, there is nothing new about what’s happening now.” Myles goes on to call Trump’s assembled henchmen “a cabinet of cockblockers: an educational secretary who’s against education, an attorney general who’s a Klansman.” But they also stress that there’s precedent throughout our history for all of these, that none of these people came out of nowhere. As much of Myles’ work — such as the seminal “An American Poem” — has grappled with in the past, this is the America in which we have always lived. The James Comey testimony took place a few days before our meeting, and Myles was passionately skeptical of the liberal praise that has been showered on the former director of the FBI. “They’re like, ‘Oh, Comey’s the good guy!’ Are you kidding me? He’s talking about a Shining City on the Hill; he’s talking about the horror, and the outrage, of people interfering with our election — like that isn’t what we do in the Middle East and in South America. I’ve never been so driven to make the argument about the nature of our history.”

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Ursula K. Le Guin, Literary Legend and Cat Blogger

Photo by Dan Tuffs / Getty Images

Writers gonna write. Fantasy, science fiction, and speculative fiction author Ursula K. Le Guin may have given up publishing fiction in her ’80s, but that hasn’t stopped her from writing: she’s been blogging since 2010. Internet citizens may want to know: does she write about her cat, Pard? Why yes, yes she does — while examining the human condition, of course. Robert Minto writes about Le Guin’s blog at New Republic.

A running theme is the life of her cat, Pard. Between each of No Time to Spare’s four topical sections are essays entitled “Annals of Pard.” Devoting such time and interest to the observation of a cat might seem to represent the commonest impulses both of internet culture and old age; but, as always, Le Guin wades into her new genre to deepen and expand it. When Pard brings her a living mouse to and drops it on her bed in the night, her solution is to lock them together in the kitchen until the mouse disappears (whether through elusion or ingestion, she doesn’t know). She reflects on the ethical implications and possible reasons for her resistance to intervention:

I want to say clearly that I do not believe any animal is capable of being cruel. Cruelty implies consciousness of another’s pain and the intent to cause it. Cruelty is a human specialty, which human beings continue to practice, and perfect, and institutionalize, though we seldom boast about it. We prefer to disown it, calling it “inhumanity,” ascribing it to animals. … Wild cat and wild mouse have a clear, highly developed, well-understood connection—predator and prey. But Pard’s and his ancestors’ relationship with human beings has interfered with his instincts, confusing that fierce clarity, half taming it, leaving him and his prey in an unsatisfactory, unhappy place.

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Punk Poet Eileen Myles on Combating Trump, Capitalism With Art

Longreads Pick

A profile of punk poet Eileen Myles, who has a new memoir out, Afterglow, and whose first autobiographical novel, Cool for You, has recently been re-released with an introduction by I Love Dick author Chris Kraus.

Myles (who prefers gender-neutral pronouns) has been publishing since the 70s, but has lately been experiencing a new wave of popularity, and gathering new young fans, because of their Twitter presence, and also because of the character inspired by them on Transparent. Myles speaks with interviewer Helena Fitzgerald about the importance of poetry and art as forms of resistance right now, under the current U.S. presidential administration.

Source: Rolling Stone
Published: Sep 11, 2017
Length: 13 minutes (3,320 words)

How the Meat Industry Thinks About Non-Meat-Eaters

Longreads Pick
Source: The Atlantic
Published: Aug 31, 2017
Length: 9 minutes (2,498 words)

Tech Companies Are (Maybe) Ready to Punch Nazis Now

(Sean Gallup/Getty Images)

In the week since white supremacists descended on Charlottesville with tiki torches blazing, tech companies have begun to eliminate website hosting or accounts run by neo-Nazis. The decision to kick people off the internet—a world many of us occupy in equal measure, if not more than we do the physical one around us—is not one taken lightly, and these companies have remained cautious until proven complicit.

The CEO of Cloudflare, Matthew Prince, explained in a public blog post why he chose to drop the Daily Stormer, a hate-mongering website that published openly racist, anti-Semitic, misogynist screeds, including a post about Heather Heyer. “Our terms of service reserve the right for us to terminate users of our network at our sole discretion,” writes Prince. “The tipping point for us making this decision was that the team behind Daily Stormer made the claim that we were secretly supporters of their ideology.” (ProPublica skewered Cloudfare earlier this year for providing the Daily Stormer with information about people who criticized or complained about the website’s explicitly offensive content.)

Cloudflare is not alone in abandoning Nazi clients. As Adrienne Jeffries reported at The Outline, in the last few days Squarespace has dropped an array of so-called “alt-right” sites, including the think tank of neo-Nazi poster boy Richard Spencer. On Tuesday, Sean Captain at Fast Company noticed that publishing platform WordPress.com (the parent company of Longreads) is no longer hosting the website for the ultra-nationalist organization Vanguard America. (The man who drove the car that killed Heyer and injured 19 other people was allegedly a Vanguard America member, though the organization has tried to disown him.) Read more…

If Clean Food Is for Everyone, Why Are Its Gurus All Young, Pretty Women?

Our notions of health and wellness (both charged terms these days, one might add) are still stuck in a paradigm that wouldn’t be out of place in ancient Greece; what goes on inside us must somehow be visible and recognizable on our bodies’ surface. In her Guardian essay on the rise of orthorexia — the obsession with consuming pure, “perfect” foods — Bee Wilson traces the history of a recent-yet-oh-so-familiar publishing trend: using youthful, traditionally good-looking women to sell both specific products (hello, coconut-and-oat energy balls!) and an amorphous, ever-shifting “clean” lifestyle.

Every wellness guru worth her Himalayan pink salt has a story of how changing what you eat can change your life. “Food has the power to make or break you,” wrote Amelia Freer in her 2014 bestseller Eat. Nourish. Glow. (which has sold more than 200,000 copies). Freer was leading a busy life as a personal assistant to the Prince of Wales when she realised that her tummy “looked and felt as if it had a football in it” from too many snatched dinners of cheese on toast or “factory-made food”. By giving up “processed” and convenience foods (“margarine, yuck!”) along with gluten and sugar, Freer claimed to have found the secrets to “looking younger and feeling healthier”.

Perhaps the best-known diet-transformation story of all is that of Ella Mills — possessor of more than a million Instagram followers. In 2011, Mills was diagnosed with postural tachycardia syndrome, a condition characterised by dizziness and extreme fatigue. Mills began blogging about food after discovering that her symptoms radically improved when she swapped her sugar-laden diet for “plant-based, natural foods.” Mills — who used to be a model — made following a “free-from” diet seem not drab or deprived, but deeply aspirational. By the time her first book appeared in January 2015, her vast following on social media helped her to sell 32,000 copies in the first week alone.

There was something paradoxical about the way these books were marketed. What they were selling purported to be an alternative to a sordidly commercial food industry. “If it’s got a barcode or a ‘promise’, don’t buy it,” wrote Freer. Yet clean eating is itself a wildly profitable commercial enterprise, promoted using photogenic young bloggers on a multi-billion-dollar tech platform. Literary agent Zoe Ross tells me that around 2015 she began to notice that “the market was scouring Instagram for copycat acts — specifically very pretty, very young girls pushing curated food and lifestyle.”

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How to Stop Apologizing for My Stutter, and Other Important Lessons

Illustration by Kjell Reigstad

Rachel Hoge | Longreads | August 2017 | 17 minutes (4,315 words)

 

Róisín would do all the talking. She’s the chapter leader of the support group in Brooklyn, and accustomed to the microphone. She’d wear jeans and a tunic, glasses, her hair twisted in a clip. The only odd thing, to me, would be her mouth. It would be loose, relaxed—an intentional muscle movement, perhaps a symbol of acceptance after years in the self-help community that my strained jaw wouldn’t recognize.

There are 100 people in the conference room, 100 people waiting for her to begin. Half are in their 20s, from places like Boston or New York. Some have never been farther south than Illinois. Some are from Iceland, Serbia, and beyond. All convene in a hotel on Peachtree Street in Atlanta, Georgia—the blistering peach pit of the South.

They are all connected by the way they speak.

“Welcome to Take it to the Ssssssstreets,” Róisín would say into the microphone. Everyone would clap. “Thank you for p-p-participating in one of our most p-p-p-popular workshops. I’ll give a brief explan-explan-explanation, then we’ll bbbbbreak into small groups and head outside.”

Outside. Julia and I are already there and having our own unofficial panel. We call it Pool Time. We call it Necessary. We’ve spent three days in big groups, small groups, chatty groups, quiet groups. There are 800 people at the National Stuttering Association Conference. Most of them stutter, like us, but there’s also speech language pathologists, researchers, scientists, family members, significant others. More people than we could ever interact with, more names than we can remember. The conference has been held for over three decades, but Julia and I are both first timers.

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