“I was looking for texts that seem to go the extra mile in hiding something — texts that almost seem to be begging to be interpreted in terms of what’s not being said.”
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The Gilded Age of (Unpaid) Internet Writing
How ’90s webzines heralded the best — and worst — of today’s online media landscape.
The Top 5 Longreads of the Week
This week, we’re sharing stories from Irin Carmon, Joe Bernstein, Robert Sanchez, Amanda Feinman, and Lois Beckett.
A Genre of Myths: A Jazz Reading List
Created in New Orleans and played around the world, the music we call jazz is filled with genius, legend, and tragedy.
One Dollar a Word? That’ll Be $28,000
Fresh off Watergate, Carl Bernstein next turned to expose the connection between the CIA and newspapers. For his efforts, he was paid $28,000. Inside one of publishing’s biggest boondoggles.
Publishing the Best of the Desert: An Interview With Ken Layne
“If you’re doing something small, something that’s mostly your labor and vision, then stick to what makes you satisfied.”
‘I Want Every Sentence To Be Doing Work’: An Interview with Miranda Popkey
“Something I did learn writing this book is that being impressed by something doesn’t mean you should try and do it.”
The Proving Grounds: Charley Crockett and the Story of Deep Ellum
Generations of musicians got their start busking the streets of the Deep Ellum neighborhood of Dallas, Texas. After a decade of ‘hobo-ing’ around cities like New Orleans, Paris, and New York, Charley Crockett discovered it was his turn.
Regarding the Pain of Oprah
She gets a mansion and she gets a boat and she gets a jet! And you get to suffer and then maybe pull yourself up by your bootstraps, if you’re lucky enough and bare enough of your private pain.
Worth Their Wait
Before the internet, music weeklies like NME and Melody Maker shaped English listeners’ tastes and the national discourse. The slower pace of print publishing created a more digestible news cycle, a deeper reading experience, deep loyalties, and a thrilling anticipation between issues.

