Carvell Wallace profiles the playwright Tarell Alvin McCraney, whose ‘Choir Boy’ opened last week at Broadway’s Samuel J. Friedman Theatre.
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Longreads Best of 2019: Music Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in music writing.
“Do You Get Shit for Your Name?”
When your name is Osama and you’re living in post-9/11 America, you always know The Question is coming.
An Inquiry Into Abuse
Allegations that Richard Nixon beat his wife, Pat Nixon, have circulated for decades without serious examination by the journalists who covered his presidency. It’s time to look more closely at what’s been hiding in plain view.
Sing a Song of Hope: ‘Everything will be all right’
“Like, wow. This is another family I have found.”
Removing Beethoven’s Wig: A Classical Music Reading List
Classical music is more than dead Europeans in wigs, starched collars, and stuffy concert halls.
What classical music is, where it’s going, and what it still can be.
Sarah Perry on ‘Melmoth,’ Monsters, and Making Her Readers Feel Responsible for Mass Atrocity
“It was important to me that the ‘villains’ in the book were ordinary people, because readers are ordinary people, and people who do terrible things are often ordinary people.”
New York City Shredder
The West Coast may have invented skateboarding, but imaginative New Yorker Tyshawn Jones keeps pushing the limits of what this slab of wood can do.
An Interview with Sarah Smarsh, Author of ‘Heartland’
The author of “Heartland,” a National Book Award longlisted memoir about growing up poor in rural America, gives her views on politics, identity, and cultural appropriation.
The Whitest News You Know
If there’s one clear moral to adduce from the horrifically prostrate coverage of the Trump movement’s white-nationalist profile in the mainstream press, it’s that the white-dominated media simply doesn’t care about changing in any meaningful way.
