“Now 56, Matthews has been singing about mortality for a long time, and he’s confronting its specter in new and surprising ways.”
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Our Longing for Inconvenience
“The modern world has made us ill-equipped for the nuisances of past technologies, even as it has fuelled nostalgia for things that might transport us back to calmer times.”
Imagine Your Last Day of Work Ever. Here’s Theirs.
“How a range of new retirees marked the end of their working days.”
The Final Dead Shows: Part One
“Everyone is dancing a little bit, bobbing, but really they are having an extended, possibly endless, interior experience.”
What Science Knows About Grief
“After my husband’s death, I had never been more pliable, tender, open, or raw. It was then that I tried E.M.D.R. therapy.”
What My Musical Instruments Have Taught Me
“When music made collaboratively with other musicians goes right, I feel a budding, rising warmth and comfort. Is this my mother smiling on me?”
The Silence Is the Loudest Part of ‘Renaissance: A Film’
“More than anything, ‘Renaissance’ is a testament that Beyoncé is a brand that stands for absolutely nothing beyond its own greatness.”
She Knows a Place
“For seven decades, the gospel singer Mavis Staples has troubled the opposition between chorus and soloist, background and lead.”
Imperial Eras: A Taylor Swift Studies Reading List
How Taylor Swift reflects every possible version of ourselves.
Nairobi to New York and Back: the Loneliness of the Internationally Educated Elite
“Every year, hundreds of Kenyans head off to study at elite universities in the US and UK. On graduating, many find themselves in a strange position: unable to fit in abroad, but no longer feeling like they belong back home.”
