“More than anything, ‘Renaissance’ is a testament that Beyoncé is a brand that stands for absolutely nothing beyond its own greatness.”
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Posted inEditor's Pick
What My Musical Instruments Have Taught Me
“When music made collaboratively with other musicians goes right, I feel a budding, rising warmth and comfort. Is this my mother smiling on me?”
Posted inTop 5
The Top 5 Longreads of the Week
Featuring stories from Charlotte Bailey, Hanif Abdurraqib, Taylar Dawn Stagnar, Patrick Madden, and Kevin Chroust.
Posted inReading List
Imperial Eras: A Taylor Swift Studies Reading List
How Taylor Swift reflects every possible version of ourselves.
Posted inFeature
A Year in Reading: The Dark Side of Progress
We’re moving farther, faster, than ever before. But we’re also destabilizing crucial areas of human experience.
Posted inEditor's Pick
All You Touch and All You See: “Dark Side of the Moon” at 50
“A half-century ago, Pink Floyd unleashed a classic that still lingers on the Billboard charts and in college dorms to this day. But what’s the legacy of the blockbuster album?”
Posted inNewsletter
Between the Lines with Neal Allen, Anne Lamott, and Kory Stamper
The Longreads questionnaire with Neal Allen and Anne Lamott, a book excerpt from Kory Stamper, and our Top 5 Longreads of the week.
Posted inEditor's Pick
The Life and Times of an American Tween
“In some ways, the world is cooked. But being a twelve-year-old still kind of eats.”
Posted inEditor's Pick
Brass Bands
“I quite like the brass band version of ‘Bohemian Rhapsody’, but I’m not sure it’s what Freddie Mercury had in mind.”
Posted inEditor's Pick
“Blurred Lines,” Harbinger of Doom
“How Robin Thicke, Pharrell, and T.I.’s cursed megahit predicted everything bad about the past decade in pop culture”
