Journalist John O’Connor talks about writing his epic Oxford American magazine feature on musician Link Wray.
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Posted inEssays & Criticism, Feature, Nonfiction, Story
Johnny Rotten, My Mom, and Me
Kimberly Mack recalls the ways in which rock music bonded her with her African American mom, and how those fierce sounds helped them cope with the poverty, violence, and despair both outside and inside their Brooklyn home.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
Posted inArts & Culture, Nonfiction, Quote Posts, Quotes
For the Love of Phish: ‘The Art of Letting Go’
“This is the other thing about Phish: you can be just as earnest and dorky as you want to be.”
Posted inNonfiction
The Girl I Didn’t Save
Cameron Dezen Hammon reflects on her frustrations as a Christian music minister for the terminally ill, unable to heal a cancer patient she cared for, and struggling to be compassionate at her belligerent Jewish father’s bedside.
Posted inBooks, Culture, Feature, Highlight, investigations, Story, Unapologetic Women, Writing
When Refugee Families are Separated, Women Carry the Burden
The story of a Somali family uprooted by war and separated by America’s broken refugee resettlement system — and the siblings who brought them back together.
Posted inArts & Culture, Quote Posts
What Has Everyone Got Against Dave Matthews?
What’s not to like about Dave Matthews, asks Allison Williams.
Posted inArts & Culture, Nonfiction, Quote Posts, Quotes
Auto-Tune: The Music Fad That Keeps on Giving
Cultural critic Simon Reynolds looks at 20 years of Auto-Tune.
Posted inArts & Culture, Books, Nonfiction, Story
The Paths of Rhythm
A Tribe Called Quest’s pioneering music is one of many filaments that connects Americans of color with each other now and back through time.
Posted inEditor's Pick
The Empire Strikes Back: “Atomic Dog” and the Rebirth of Parliament-Funkadelic in the Early 1980s
In a career made as much of music as ups and downs, the story of how one song revitalized George Clinton’s career is one of the most surprising.
