This excerpt from Hua Hsu’s memoir offers a glimpse into his parents’ generation of immigrants from Taiwan to America, and the faxes they sent to each other about homework, zines, and Nirvana. My parents had fond memories of listening to the station when they were teen-agers, back when it was Armed Forces Radio. In time, […]
Search results
Posted inEditor's Pick
The Evolution of the Hip-Hop Hunk
“One fan’s journey through rap’s pursuit of the female gaze, from LL Cool J to Tupac to Drake.”
Posted inCuration, Nonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Wright Thompson, Mitch Moxley, Patrick Radden Keefe, Joshua Sokol, and Ariane Todes.
Posted inEditor's Pick
The Black Vanguard in White Utopias
“Country music issues a promissory note to its white listeners. The promise is that no matter how much the world around them may be changing, a country radio station or concert will be a safe space for white sentimentality.”
Posted inReading List
Let Go of Your Ego: A Reading List on Brian Wilson and “Pet Sounds”
Let’s go away for awhile and reflect on the genius of Brian Wilson and the Beach Boys’ 1966 album “Pet Sounds.” Wouldn’t it be nice?
Posted inEditor's Pick
Ukraine’s Death-Defying Art Rescuers
“When Putin invaded, a historian in Kyiv saw that Ukraine’s cultural heritage was in danger. So he set out to save as much of it as he could.”
Posted inEditor's Pick
Notes From the Underground
“Inside the world of underground warehouse raves, forest parties, and Freetekno.”
Posted inEditor's Pick
How “The Shadow of State Abandonment” Fostered Then Foiled Young Thug’s YSL
“Atlanta’s YSL (Young Stoner Life) project has been about place-making as much as it’s been about making music. But what happens when the state interferes?”
Posted inReading List
Friction: A Reading List on Why Inconvenience Can Be Meaningful
Five stories that explore the risks and rewards of life’s little hurdles.
Posted inEditor's Pick
Say It Loud
“My two-steps-from-sexagenarian ass is old enough to know all the avant funk-jazz sources of [Kamasi] Washington and company’s aesthetic (Horace Tapscott, Sanders, Tyner, The Crusaders, Stanley Cowell, Strata East, Black Jazz) so The Epic couldn’t reach my ears as a spiritual, political and musical revelation. But it has been fascinating nonetheless to witness young friends […]
