Joan Morgan’s “She Begat This” looks back at how Lauryn Hill crashed through hip-hop’s glass ceiling, while our critic looks at how the author and a cadre of black women writers did the same for hip-hop music journalism.
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Posted inCurrent Events, Nonfiction, Quotes
‘Equality Keeps Us Honest’: Rebecca Solnit on the Ignorance of Privilege
“This is why I always pair privilege with obliviousness; obliviousness is privilege’s form of deprivation.”
Posted inHistory, Nonfiction, Profiles & Interviews, Quotes, Unapologetic Women
New York Radical Women and the Limits of Second Wave Feminism
The collective redefined feminism in the 1970s, but it’s blind spots still linger, especially for black women.
Posted inNonfiction, Story
No Más Fantasía
What happens when you’re sentenced to life in prison as a teenager, then released 19 years later and sent to a place that’s supposed to feel like home?
Posted inHistory, Quotes
The Re-Kazakhification of Kazakhstan, On Horseback
After years of Soviet control, the country looks to the cultural foundations of its nomadic past.
Posted inNonfiction
Young African Artists Lead Nuanced Conversation about Race in America
Taiye Selasi, Yaa Gyasi, and Toyin Ojin Odutola expand notions of blackness with layered, nuanced artwork.
Posted inEditor's Pick, Essays & Criticism, Nonfiction, Unapologetic Women
Politics and Prose
Marie Myung-Ok Lee finds herself conflicted about attending a controversial author’s reading and wonders: what does “speaking up” actually mean?
Posted inEssays & Criticism, Nonfiction, Story, Unapologetic Women
Politics and Prose
Marie Myung-Ok Lee finds herself conflicted about attending a controversial author’s reading and wonders: what does “speaking up” actually mean?
Posted inEditor's Pick, Essays & Criticism, Feature, Food, Nonfiction
Forgetting the Madeleine
A pastry chef reflects on taste, memory, and literature’s most famous confection.
Posted inArts & Culture, Books, Nonfiction, Story
Convenience Store Woman
If the convenience store and Japanese society are so similar, why can Keiko Furukura function in one and not the other?
