In Ling Ma’s “Severance” — a novel she began to write after getting laid off, while living partly on severance pay — the characters keep going to work, even though they know it’s the end of the world.
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Posted inBooks, Profiles & Interviews, Story
An Immoderate Novel for an Immoderate Season: An Interview with Olivia Laing
Olivia Laing’s new novel, “Crudo,” is a fictionalized account of the summer of 2017, written in real time by Laing — from the perspective of Kathy Acker.
Posted inBooks, Profiles & Interviews, Story, Uncategorized
‘I Didn’t Have the Language to Call It Racism’: An Interview with Nicole Chung
Nicole Chung wants white parents of transracial adoptees to grapple more candidly with the reality of racism in America.
Posted inCrime, Highlight, investigations, Quote Posts, Quotes
The Alabama “Corrections” System: An American Horror Story
“When you lay down to go to sleep, you better be prayed up, because there’s no guarantee you’re waking up.”
Posted inArts & Culture, Blog Post, Commentary, Curation, Unapologetic Women
A Tribute to Lynn Cohen, 1933-2020
New York character actress Lynn Cohen died on Valentine’s Day 2020, survived by an extended family of friends and collaborators.
Posted inNonfiction
Me and You
Two friends, Hurricane Katrina, a suicide, and the pain and beauty that holds us all together.
Posted inArts & Culture, Books, Profiles & Interviews, Story
Nic and David Sheff on ‘Beautiful Boy’ and Telling Addiction Stories Responsibly
Nic and his father David Sheff’s memoirs about grappling with Nic’s addiction are the basis for the new movie ‘Beautiful Boy.’ It was important to them that the movie communicate what addiction really is — an illness.
Posted inEssays & Criticism, Feature, Nonfiction, Story
What I Did for (Strange) Love
As a teen, Laura Bond went all out to meet Depeche Mode — and to hang onto her best friend.
Posted inEditor's Pick
How Brands Get their Names, Explained By a Professional Namer
This is a very interesting conversation about how companies pay experts to shape their images, and it’s one that this professional namer might describe this interview’s title as descriptive rather than disruptive, because it “is tied to an expected functional benefit of the product.”
Posted inBooks, Nonfiction, Profiles & Interviews, Story, Writing
‘As a Grown Woman, I Still Have To Continuously Learn To Say No’
Memoirist Tanya Marquardt talks about consent, trauma, and investigating our memories in the age of #MeToo.
