In Iceland, overtourism has transformed the island in a few short years — and locals and visitors alike try to grapple with the change.
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Posted inBooks, Fiction, Profiles & Interviews, Story, Writing
Sarah Moss on Brexit, Borders, Bog Bodies, and the ‘Foundation Myths of a Really Damaged Country’
Sarah Moss’s tale of Iron Age reenactors and parental abuse is her way of addressing Brexit. “Putting the skulls of the ancestors up in some attempt to hold back history never works.”
Posted inStory
America Is Still Hard To Find
Kathleen Alcott’s latest novel is a dramatic reenactment of the ethical dilemmas posed in antiwar activist Father Daniel Berrigan’s ’60s manifesto.
Posted inBooks, Fiction, Profiles & Interviews, Story
‘In a Marriage, You Grow Around Each Other’: An Interview with Tessa Hadley
Tessa Hadley on gaining the sense of authority she needed to write fiction, the authors whose work opens the door for her to write, and the way we are formed by our connections with other people.
Posted inBooks, Fiction, Profiles & Interviews, Science Fiction, Story, Writing
‘Every Woman Writer Feels Like She’s Starting Over Without Any Guides’
Ann Leckie talks about “The Raven Tower,” the erasure of women writers from the canon, the privilege inherent to ‘the anxiety of influence,’ and the power of tradition.
Posted inBooks, Fiction, Story
Did the Modern Novel Kill Charles Bovary?
Jean Améry, the Austrian essayist and Primo Levi’s former barrack-mate at Auschwitz, wrote one last novel before he died. Its six angry chapters are written as if by Charles Bovary, accusing Flaubert of ruining his life.
Posted inNonfiction
Me and You
Two friends, Hurricane Katrina, a suicide, and the pain and beauty that holds us all together.
Posted inBooks, Fiction, Story, Uncategorized
Seasonal Associate
No longer able to live on her freelance writing income, German novelist Heike Geissler takes a holiday seasonal job at an Amazon fulfillment center.
Posted inBooks, Essays & Criticism, Story
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Posted inReading List
This Month in Books: The Decameron Is Online
We can all quarantine alone, together, in one big villa in the cloud.
