Search Results for: dad

Jack, Jacqueline — Dad

Longreads Pick
Source: Longreads
Published: Dec 21, 2018
Length: 27 minutes (6,875 words)

Jack, Jacqueline — Dad

Illustration by Zoë van Dijk

Yvonne Conza | Longreads | December 2018 | 28 minutes (6,875 words)

 

Dad is dying. A cell phone ping alerts me to a terse, fracturing email from my father’s younger brother.

Your Father is in a Florida Hospice. My eyes freeze on the bold subject line as I’m having dinner with a friend at an East Village restaurant. The muffled music and clatter of cutlery become an inescapable tunnel of sound. Childhood memories torpedo my thoughts and conflict with the reality that Dad is close to passing away on the cusp of turning 79. Thirty years of not knowing where or how he lived vanish.

***

To most everyone, John Joseph Downes was Jack, but to a few he was Jacqueline, and to Mom, my three older siblings and me, called “Jackass” behind his back. Dad’s multiplex of enduring identities also include: door-to-door Encyclopedia Britannica salesman; entrepreneur selling jigs, molds, gauges and fixture parts to automotive plants through a business he built from scratch; and the owner of a successful home health care agency. A Buffalo Bills fan, he gave his season tickets to clients while he watched games at home eating cheese curds and pretzels. He was a seeker of public office, wearer of white button-down shirts with wife-beater tanks underneath, actual wife beater, sporadic psoriasis sufferer, excellent provider, entertainer, showoff, lover of culture and a Chivas Regal drinker who, as these wailing memories emerge, will not live two months more to celebrate his New Year’s Eve birthday.

For a few years, Dad donned a hearse-black, trapezoid-contoured toupee that our Russian Blue cat murderously stalked like a sly predator. When askew on Dad’s head, the cat didn’t tamper with the hairpiece. But once it was placed atop Mom’s dresser she pounced on it, battled with double-sided tape and amused all, even Dad, with her mischief. Stored in a cherry wood armoire and draped over a creepy female Styrofoam white mannequin wig stand was Dad’s more notable wig, a dolled up shoulder-length Jackie O. bouffant postiche with satiny strands looped into starched beach waves. Had he added oval, dark, smoke-tinted oversized sunglasses, the look would have been complete.

He had a proclivity towards cross-dressing, a marital joint venture since Mom slipped him into finery that hung inside a shared closet. Though their bedroom door was kept closed, the curtains weren’t pulled down, perhaps intentionally, to spark a pivotal conversation. As a child of 8, I was blindsided by intimate details that felt jarring and amiss. Whenever I put away his freshly laundered socks and t-shirts, I had to open the shuttered double doors of his dresser and be exposed to the cavernous storage area where timepieces and ties kept Jackie O’s foam head company.

When I was not much older, flickering flashes, not belonging to a swarm of fireflies, distracted me from Charlie’s Angels. Looking up to the wide-open windows of my parent’s second floor bedroom I saw Dad accessorized, demure and toying with puckered painted lips. Backlit and indefinably beautiful, he seemed more himself in a size 16 dress than in one of his polyester baby blue or pickle green leisure suits.

Once while snooping for Christmas presents, I discovered Polaroid portraits of Dad as Jackie stashed in a shabby shoebox on the top shelf of my parents’ bedroom closet. Clad in kitten heels, stockings and a conservative, zip-from-behind dress, he had been transformed into a chunky, rarified suggestion of Jacqueline Kennedy. When not embodying Jacqueline, he wore a suit, white shirt and tie, shaved, splashed on decadent amounts of Old Spice.  It was hard for him to keep a clean shave, 5 o’clock shadow always intruding. He bore a resemblance to Don Knotts, the billboard-sized forehead over his eyebrows, which I inherited, displaying struggle, though in a more generous light it beamed with determination. After stuffing pens in his pocket protector, heigh-ho, heigh-ho, it’s off to work he’d go — a tender, paunch bellied dwarf with pick and shovel who knew not to return home until a million diamonds shined, and his worth to his wife could be proven.

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Oh Come On, Dad!

AP Photo/Don Ryan

Both relished and reviled, treated like the tuna casserole you ate too much as a kid but now can’t stop making as an adult, the family tradition known as the dad joke has recently experienced a nationwide appreciation. Not everyone’s laughing, but that seems to be the point: the teller entertains himself and enjoys eliciting a reaction other than laughter. Dad jokes take many forms; they often involve word play and mildly annoying the listener. For The Atlantic, Ashley Fetters, whose own father tells her dad jokes, explores the way this particular type of humor seems to work and where it came from. Thankfully, it isn’t just dads and Americans who are to blame.

How these types of jokes got associated with dads, however, is another question, and there are a few compelling theories floating around. When my colleague McKay Coppins tweeted about his life as a suburban dad and someone responded by asking him how dads get their jokes, he said that it is a “combination of exhaustion and your kids laughing at anything when they’re very young, which creates a perverse incentive system and endows you with false confidence.” (“Then you spend the rest of your life doubling down on dad jokes,” he added in an email to me later. He does, though, hope to pass the dad-joke tradition down to his own son one day.)

Dubinsky likes this theory, both as a researcher and as a parent. As kids get older and less childlike, he says, there’s a sense of loss, and a nostalgia that sets in for when they were smaller. “You don’t have children anymore,” he says. “One way to get back to that time is to go back to the stupid old jokes they used to think were funny.”

Dubinsky also acknowledges, however, that the phrase “dad joke” is sometimes used as a pejorative when someone makes a lame joke—and he believes there’s a specific intergenerational dynamic at work when it is. “One of the things about language is that we judge the sophistication of our peers by how sophisticated they are with use of language. Your smartest friends can use deadpan sarcasm, and your smartest friends can get it when you’redeadpanning sarcasm,” he says. So when someone makes a dumb or unsophisticated joke, they may be on the receiving end of some mild disapproval. Plus, it’s Dubinsky’s belief that every generation holds a somewhat disapproving opinion of the generation just before it. “They love their grandparents, but parents are just a chore and a pain,” he adds. “So one way to disrespect your parents is to note how unsophisticated their humor is.”

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The Dad-Joke Doctrine

Longreads Pick
Source: The Atlantic
Published: Sep 25, 2018
Length: 10 minutes (2,512 words)

My Dad Painted the Iconic Cover for Jethro Tull’s ‘Aqualung,’ and It’s Haunted Him Ever Since

Longreads Pick

With a handshake for a contract and a flat fee, a prominent realist painter created a problem that still bothers him at the end of his long successful career.

 

Source: The Outline
Published: May 10, 2018
Length: 18 minutes (4,648 words)

The Devil in My Dad

Longreads Pick
Source: Elle
Published: Feb 20, 2018
Length: 10 minutes (2,743 words)

She’s 17 And Wants To Be A Politician. Her Dad Says He Won’t Vote For Her.

Longreads Pick

A profile of 17-year-old Iowan Lily Miller, a progressive who wants to run for office, and her right-wing 49-year-old father Mike, who represent a growing phenomenon of young women departing from the conservative views they were raised with.

Source: BuzzFeed
Published: Jan 16, 2018
Length: 16 minutes (4,157 words)

Remembering When Puff Daddy Ruled the Summer

Puff Daddy, right, performs, with Mase (left), and dancers in background, during the MTV Video Music Awards at New York's Radio City Music Hall Thursday, Sept. 4, 1997. (AP Photo/Adam Nadel)

“De-spa-cito.”

It is impossible to stop the smash single, featuring Daddy Yankee, Justin Bieber, and Luis Fonsi, from forever embedding into your brain this summer. “Despacito” has all the qualities of a perfect ear worm, which is why you’re still humming Bieber’s chorus hours and days after you hear the tune. And since “Despacito” is now the most globally streamed song in history, surpassing 4.6 billion streams since debuting in January, there is really no way to escape what has become a worldwide phenomenon. The song of the summer has become the song of 2017.

Twenty years ago, before crowning a single as the song of the season emerged as part of the pop culture canon, Puff Daddy ruled the airwaves. 1997 was a tumultuous year: Tupac was gone, Notorious BIG would follow that March, and Diddy was striking out on his own. He was still an assembler of talent, signing artists like Black Rob and Mase to the Bad Boy label (as Jimmy Iovine states in the recent Defiant Ones docuseries, Puff has always had one of the best ears for talent), but he also was stepping into the booth, releasing his debut No Way Out in July 1997.

While “Despacito” is constantly streaming and filtering out of your radio, you couldn’t avoid Puff Daddy that summer. He had two contenders for songs of the summer: “It’s All About the Benjamins” and “I’ll Be Missing You,” which were both released within a period of roughly one month—which he then followed with “Mo Money, Mo Problems,” Life After Death‘s second single that hit airwaves that July.

Within 90 days, Puff had three songs all contending for the top spot on the Billboard charts. That is an incredible run.

There are few with an ego as outsized as Puff’s—from changing his name several times over the past two decades to Can’t Stop, Won’t Stop, his recently released biopic (don’t you dare call it a documentary!), the entrepreneur-artist never strays far from the spotlight. While what Daddy Yankee et al have achieved is certainly historic, it doesn’t come close to the dominance Puff achieved that summer. As Shea Serrano explained in a 2015 excerpt from his book The Rap Year Book,

The dominance of Puffy: The song that followed “Can’t Hold Me Down” on top of the Billboard’s Hot 100 was “Hypnotize” by the Notorious B.I.G., which is the most perfect example of Bad Boy’s We Have Money, Life Is a Party mission statement. It was there for three weeks. Hanson’s ridiculous “MMMBop” ba-duba-dopped its way to the top for three weeks (Puff did not produce that one, turns out). After that, it was “I’ll Be Missing You,” a tribute song to the Notorious B.I.G. by Puff, Faith Evans, and 112. It was at number one for 11 weeks. “Mo Money Mo Problems” was next (by the Notorious B.I.G., Puff, and Mase). It was there for two weeks. And then “Honey” by Mariah Carey came after. It was there for three weeks. Puff produced that one, too. That’s a stretch of 25 out of 28 weeks where Puff Daddy was, in part, responsible for the number-one song in the nation, and he’d spread it over five songs. It had never happened that way before. It hasn’t happened that way since.

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Unknowable Dads: A Father’s Day Reading List

Billy Ray Cyrus and Miley Cyrus in 1994. (Ron Galella, Ltd / WireImage)

Dear old Dad. To hear retailers tell the story, he’s a transparent creature, someone who is pleased by the simple things: a shirt, a book, a steak, a new gadget. But the dads most of us grew up with — and without — are a more inscrutable lot. They’re people, after all, whose past lives, present concerns, and future legacies can vex, perplex, and frustrate their children. Can we ever really know these men? Some of the best writing about dads embraces that mystery, confronting the hard questions of what it truly means to know one’s father.

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Bringing Her Dad Up to Speed After Thirty Years Away

At Refinery29Ashley C. Ford has a moving personal essay about getting to know her father now that he’s been released after thirty years in prison Her father has missed so much of his daughter’s life, but that’s not all he has to catch up on. Having been incarcerated since the late 1980s, he is way behind the times, technologically speaking. He’s new to the whole world of cell phones, not to mention texting.

At least once a day I open my phone to scroll through our one-sided text conversation. There are a few sentences from his end, words separated by periods. He has trouble with the space bar. I see the uninterrupted column of my selfies and views of my surroundings. I know he appreciates the technology that allows him to see my current world so clearly, as he missed so much of my past. Because he has trouble responding with text, he calls to say how wonderful I am, how proud of me he is, and how much he wishes he could see the things I see every day. If I can’t answer he leaves minute-long voicemails. He is a talker, and I am his rapt audience.

I know someday he’ll figure out how to text exactly what he wants to say. When that happens, I’ll miss how much we’ve had to fit into phone calls, and how I’ve had to describe all the things he can’t see about who I am and where I am. I’ll miss his voice, too. His strange and familiar voice that sounds so much like my brother’s, and his brother’s, though the thoughts often sound just like mine.

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