Raised in a school bus by itinerant hippie parents, with one foot in Mexico and one in the US, the singer blossomed into her true multicultural self in bilingual Montreal.
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Posted inBooks, Essays & Criticism, Fiction, Story
Time To Kill the Rabbit?
In two new novels, the bunnies are anything but cute. (Unless … you use magic to turn one of them into a pre-TB Keats, or a talky Tim Riggins.)
Posted inReading List
Women and Pain: A Reading List
“…how do we begin to change the narrative of how women’s pain is perceived, understood, and treated?”
Posted inBlog Post, Commentary, Essays & Criticism, Highlight, Nonfiction
Help Us Fund More Original Essays (and Great Art to Go with Them)
Member contributions help us to amplify diverse voices and give chances to new writers.
Posted inEditor's Pick
Ushering My Father to a (Mostly) Good Death
A personal essay in which Karen Brown recalls conspiring with her father in his final weeks to find some humor in the pain.
Posted inEssays & Criticism, Feature, Nonfiction, Story, Unapologetic Women
I’m 72. So What?
Catherine Texier pushes back against society’s dated ideas about older women, claiming her place among those who are determined to remain vibrant and relevant in the last decades of their lives.
Posted inNonfiction, Quotes
Prison: A Death Sentence by Poison
Nearly a third of all US federal prisons are located within three miles of a Superfund site; 134 are located within one mile.
Posted inNonfiction
The Women Characters Rarely End Up Free: Remembering Rachel Ingalls
The recently re-appreciated novelist Rachel Ingalls passed away last month. She was among a cohort of twentieth-century women writers who were ‘famous for not being famous.’
Posted inCurrent Events, Nonfiction, Quote Posts, Quotes, Science & Nature
The Toxic Legacy of Building 606
The San Francisco police officers stationed on the Hunters Point Superfund site worked atop the literal and figurative fallout of the US Military’s WWII-era atomic testing.
Posted inNonfiction
Remembering Scott Walker
When the pop singer went avant garde, he traded narrative meaning for emotional truth to explore those things that lay beyond language.
