The best way to learn what being a sex worker is like is to listen to sex workers.
Search results
Posted inBooks, Current Events, Story
The State of the Bookstore Union
The Strand, New York City’s largest independent bookstore, is owned by a millionaire — and the booksellers who work there are all broke.
Posted inNonfiction
‘They Were Growing Seedlings…Which Would Sprout To Become Supreme Court Justices’
Ruth Marcus discusses the Federalist Society’s 30-year Justice-grooming project, the botched investigations, and everything else that brought us “too big to fail” Brett Kavanaugh.
Posted inNonfiction
Hot for Teacher
When a student in her writing workshop submits a piece suggesting his character could ‘take’ a teacher just like her ‘atop her desk,’ Courtney Zoffness is flooded with memories of men touching her against her will.
Posted inNonfiction
How Google Discovered the Value of Surveillance
In 2002, still reeling from the dot-com crash, Google realized they’d been harvesting a very valuable raw material — your behavior.
Posted inNonfiction
Bikini Kill — and My Bunkmates — Taught Me How to Unleash My Anger
While away at summer camp, Melissa Febos discovers the power of her generation’s rage and feminism.
Posted inArts & Culture, Books, History, Nonfiction, Story
The Corpse Rider
“I could see the ghosts,” recalled Lafcadio Hearn about his early childhood. Late in life, he became a celebrated chronicler of Japan’s folk tales: stories of strange demons and lingering visitations.
Posted inNonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Nathaniel Rich, Ronan Farrow, Jeff Maysh, Helen Rosner, and Nick Greene.
Posted inNonfiction
Longreads Best of 2018: Business Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in business writing.
Posted inBooks, Nonfiction, Profiles & Interviews, Story
Shapes of Native Nonfiction: ‘The Basket Isn’t a Metaphor, It’s an Example’
The editors of “Shapes of Native Nonfiction” talk about the craft of writing, the politics of metaphor, and resisting the exploitation of trauma.
